Challengers

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Opisy(1)

Wizjonerski twórca Luca Guadagnino przedstawia Challengers z Zendayą w roli Tashi Duncan, która jako złote dziecko tenisa została potem trenerką, bezkompromisową na korcie i poza nim. Jej mąż (Mike Faist) jest mistrzem, który przeżywa zawodowy kryzys. Tashi postanawia przywrócić mu dawną chwałę, ale oboje czeka niespodzianka, kiedy przeciwnikiem okazuje się inny przebrzmiały czempion Patrick (Josh O’Connor) - jego były najlepszy przyjaciel i dawny chłopak Tashi. Kiedy przeszłość zderza się z teraźniejszością, a napięcie sięga zenitu, Tashi musi zapytać samą siebie, jaka będzie cena wygranej. (Warner Bros. PL)

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Recenzje (3)

EvilPhoEniX 

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angielski I like sports dramas and I was really looking forward to Challengers since the first trailer. Luca Guadagnino is a guarantee of quality filmmaking and he delivers a solid sports romance that, although a little scrappy at times in the second half, but Zendaya pulls all the attention to herself. The finale is nicely suspenseful, nice camera work, decent performances and overall a good film, but one I won't be watching again (I enjoyed the Williams sisters with Will Smith a tad more, there were stronger emotions there as well). 70% ()

Stanislaus 

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angielski I'm not a fan of sports-themed films, but Challengers managed to win me over thanks to its story, the core of which revolved around a dynamic and plastic love triangle, whose individual vertices interacted with each other at the speed of a tennis ball. I commend the structure of the plot, where the framework was the decisive match, while the filler was what led to this great match. In fact, I ended up liking the sporting aspect of the film - the quick shots between faces, ball hits and rackets really drew me into the action, almost onto the tennis court, you could say. Last but not least, I have to highlight the incredible soundtrack, whose electronic tones fit the story perfectly. ()

Ediebalboa 

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angielski A heated tennis love story full of ego, unrequited love and the desire to win. Zendaya, as the tennis goddess who gets her hand pecked by Prince Charles of the Decreased Manners and his good second in command, is flawless. Ditto for the plot, where you don't know how it's all going to turn out until the last moment. I could have done with fewer slow-motion shots, they do make sense for filming a fast-paced sport like tennis to dramatize the hits, but by the end Luca Guadagnino uses them so much that it paradoxically dulls the climax of the story a bit. Yet the matches otherwise don't lack punch at all, as both the score and the soundtrack, as well as the flourishes with the camera during each exchange, give the film a liveliness that I've missed in tennis films for many years. ()