Buffy, postrach wampirów

I know the series that is five years younger by heart and consider it the pinnacle of what can be caught in the waters of teenager or supernatural television and beyond. I also can't get enough of the spin-off with Angel, and for quite a few years now, I have been immersed in the comic continuations, solo projects, and crossovers of both mentioned characters. However, I must say that without this unclassifiable thing, I would not be able to say that I unconditionally love everything related to the Buffy brand. The mysterious vampire named Pike, the fateful birthmark, the eccentric madman Rutger Hauer, or the insane choreography of fights with practically no direct depiction of vampire killing form a mosaic of despair, which now would function as a surprisingly funny parody of the phenomenon, but at that time cruelly prevented the great idea from developing. The fact that director Fran Rubel Kuzui never returned to directing, I consider a miracle – just like her becoming an integral part of the Whedonverse as a producer. (06.07.2008)