Saw
Reżyseria:
James WanScenariusz:
Leigh WhannellZdjęcia:
David A. ArmstrongMuzyka:
Charlie ClouserObsada:
Leigh Whannell, Cary Elwes, Danny Glover, Monica Potter, Ken Leung, Michael Emerson, Tobin Bell, Makenzie Vega, Shawnee Smith, Dina Meyer, Benito Martinez (więcej)VOD (4)
Opisy(1)
Młody mężczyzna, Adam (Leigh Whannell), budzi się przykuty do zardzewiałej rury w rozwalającej się piwnicy. Po drugiej stronie pokoju odkrywa innego przerażonego współ-uwięzionego człowieka. Jest nim dr Lawrence Gordon (Cary Elwes). Na podłodze pomiędzy nimi leży martwy człowiek w kałuży krwi, trzymający w znieruchomiałej ręce pistolet kaliber 38. Żaden z mężczyzn nie zna przyczyny swojego porwania, ale na pozostawionej mikrokasecie znajdują instrukcję, wg której dr Gordon ma zabić Adama w ciągu następnych 8 godzin. Jeśli mu się to nie uda, nie dość, że obaj mężczyźni zginą, to również Allison, żona Lawrenca, oraz ich córka zostaną zabite. Dr Gordon przypomina sobie trwające właśnie śledztwo prowadzone przez detektywa Tappa (Danny Glover) i obaj zdają sobie sprawę, że są następnymi ofiarami psychopatycznego geniusza nazywanego "Jigsaw". W ciągu zaledwie kilku godzin mężczyźni muszą dopasować do siebie elementy układanki zmagając się narastającym, w miarę upływu czasu, przerażeniem. Zabójca zostawił im tylko kilka wskazówek oraz dwie piły ręczne, zbyt słabe, by przeciąć stalowe kajdany, ale wystarczająco mocne, by przeciąć nimi ciało i kości. (Monolith)
(więcej)Materiały wideo (2)
Recenzje (12)
The overwhelming majority of films in this style don't even fall into the B-movie category; they're more like C-movies and have a woefully semi-amateurish character. Saw significantly stands out from these productions with its professionalism and is currently the actual pinnacle of the genre. It boasts a relatively sophisticated script, professional direction, editing, camera work, and acting performances that don't elicit disdainful smiles. Along with its horror atmosphere, strongly naturalistic shots, and effective ending, it creates a perfect cocktail to become a box office hit. On the other hand, the script isn't so well-developed that it can avoid inconsistencies and some clichés. The editing at times resembles music video production, and the flashbacks only serve to delay the story. Overall impression: 60%. Subsequent installments of this film lacked the originality of the original and were merely squeezing money from the pockets of viewers.
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An atmospheric slaughter movie that I found surprising thanks to some of the twists. Great ideas put into practice well. Wan certainly knows his stuff. It was pleasant to see many well-known and quality actors alongside some unknown ones. But it isn’t so brutal and doesn’t make you jump, so don’t be afraid. ;)
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Come out and play, Mister... A whole lot for very little. You see, Saw is like FilmBooster where the room is substituted by the webpages and Jigsaw by POMO himself, who mixes everything up with his twisted sense of humor. He deploys an army of a thousand multi-accounts to stir emotions and turns users against each other. I bet now we can look forward to some final twist and tricks on ordinary people like deleting all of their scores and reviews. That would be a master stroke worthy of this atmospheric genre.
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This basic premise was without the slightest clue of what I was getting into, and without the knowledge that I would see it countless times in future installments, it was really perfect back then. Despair, the unknown, and people in a strongly oppressive environment and situation still function today. It's a shame that with Jigsaw came the tormented cliché of "I'm aiming at you, but I'll wait until you take the weapon from me", because without it, Wan would have aimed really high. What the script loses here, it gains with the point. It may be problematic, full of holes, and perhaps even impossible, but it can't be taken away from it that it is truly unforgettable. The new Se7en may not have come then, but with a decade of hindsight and the presence of unbalanced sequels, the first Saw has matured into very favorable colors. 70%
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This saw has really sharp teeth, though a bit rusty in places. Among the good things we can count the thick oppressive atmosphere, several excellent suspenseful scenes and one awesome jump-scare. On the other hand, there is the unconvincing performance of Cary Elwes as Dr. Gordon, a bit of the traditional clichés (the pratfalls or the pointless hesitation before blowing someone away) and the final twist. In itself, it is very, very surprising and shocking, but it is too much "for effect" and in hindsight it digs big holes in the logic of the plot. Still, I won't go below four stars, a film that can happily be described as a heavy punch for the average audience (a friend told me how he experienced a stampede to leave the cinema during a screening in Ireland) doesn't deserve it.
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