Reżyseria:
Narciso Ibáñez SerradorScenariusz:
Narciso Ibáñez SerradorZdjęcia:
José Luis AlcaineMuzyka:
Waldo de los RíosObsada:
Lewis Fiander, Prunella Ransome, Antonio Iranzo, Narciso Ibáñez Serrador, Cristina Torres, Juan Cazalilla, Ángel Ter, José Moratalla, Luis Ciges (więcej)Opisy(1)
On a vacation away from their family, Tom (Lewis Fiander) and his pregnant wife Evelyn (Prunella Ransome) sail to an island off the coast of Spain that seems deserted until its children emerge from the shadows with the blood of their parents on their hands and hatred in their hearts for every adult. (oficjalny tekst dystrybutora)
Recenzje (4)
The attempt at some kind of insight, expressed by the documentary footage at the beginning (the worst atrocities of the 20th century, including Auschwitz and genocides all over the world), is rather futile, and actually quite unnecessary, because it doesn’t enhance the overall impact of the film. Plus, the cutters of the editor should have worked harder, halfway through I felt like I'd swallowed a whole pot of lemon balm. But I can't deny the interesting atmosphere, the killer children with their innocent faces are really disturbing, sometimes even scary, and the fatal scene with the pregnant woman is physically unpleasant. Besides, I can't imagine something like that in today's politically correct times, when at the end a machine gun unexpectedly comes into play and the little bastards are cutting each other down on the head with boards, knives in thighs and carotid arteries. Simply, as was the custom in the 70s – the Spaniards did not mess around.
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Encouraged the day before yesterday by the new horror film Eden Lake, where the villains are also played by kids, I indulged today in this gem from Spain. The opening montage of various ugly images (you’ll understand) is already quite intense, while the story itself brings a disturbing atmosphere that peaks in the last half hour (the shot of a pack of children descending on the coast is awesome). The beginning with a couple wandering in an abandoned village reminded me of the recent Anthropophagus: The Grim Reaper, and I could easily believe that its director, D’Amato, took inspiration from here. Who can kill a child? is smart and intense horror that remains current even 30 years after it was made. BTW, the director, Narciso Ibáñez Serrador, five years later would deliver another very good horror film, The House That Screamed.
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Eden Lake of our parents’ generation. It is their fault that this gem, which relies on the disturbing atmosphere of a sultry day in the middle of a village with the lowest average age of population in the world, has remained completely hidden.
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Fortunately, the peak of the film comes with its ending, which is just as well because it at least pays off the long wait presented throughout its duration. Despite its duration, Who Can Kill a Child? is a very successful film that manages to shock precisely with its scenes involving children, with the final one being great, and you find yourself wondering how someone allowed this to be filmed. But that's exactly what the movie was supposed to look like.
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