Zniknął człowiek

It is difficult to summarise Shôhei Imamura’s legendary 1967 film, the first picture produced by Japan’s countercultural Art Theatre Guild (ATG). Is it a documentary that turns into a fiction? A narrative film from beginning to end? A record of improvisation populated with actors or non-actors (and in what proportion)? Is it the investigation into a true disappearance, or a work merely inspired by actual events? Even at the conclusion of its final movement, A Man Vanishes [Ningen jôhatsu, or The Unexplained Disappearance of a Human Being] mirrors its subject in deflecting inquiries into the precise nature of its own being. (Eureka Entertainment)