Papillon
Reżyseria:
Franklin J. SchaffnerZdjęcia:
Fred J. KoenekampMuzyka:
Jerry GoldsmithObsada:
Steve McQueen, Dustin Hoffman, Victor Jory, Don Gordon, Anthony Zerbe, Robert Deman, Woodrow Parfrey, Bill Mumy, George Coulouris, Ratna Assan (więcej)Opisy(1)
Papillon, a prisoner relegated to the squalid confines of a notorious South American penitentiary, maintains he's innocent of the crime for which he's doing time: murder. His cell-mate, Dega, however, is a counterfeiter whose guilt is unquestionable. Though he's a civilized business-type, Dega is easily vitiated by the depraved mores of prison life. As the interned continue to be treated shamefully and subjected to several cruel and unusual punishments, Papillon grows weary of the mistreatment. Misery leads him to attempt a breakout despite the consequences of possible failure. After several unsuccessful endeavors, Papillon finally manages to break out, but not before he's been through hell and back. (oficjalny tekst dystrybutora)
(więcej)Recenzje (7)
Steve McQueen undergoes such a physical transformation during the film that when I see his sunken cheeks and decrepit body, I'm inclined to believe he actually spent those years in solitary confinement. The whole film feels raw and very real. Putting aside Darabont's The Shawshank Redemption and The Green Mile, Papillon is the best prison drama ever made and the fact that it is based on a true story adds to its quality.
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To tell the truth, I had to watch it twice because I was getting terribly bored already before it reached the middle. Papillon is unremarkably executed, without any escalation, with a story that never has a chance of being interesting; very disappointing overall. It felt like a TV movie that by some miracle managed to get a star cast, which gave the creators the mistaken idea that they didn’t need to do anything else. Boring, grey.
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The indomitable desire for freedom or one of the best adapted books to the silver screen. It may have been cut up too much and combed down to the bone, but the main thing remained, and that is appreciated.
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While The Shawshank Redemption exudes poetry and vitality, Papillon displays things without embellishment and a hefty dose of brutality. Violence or perhaps brutality are not directly visible, but thanks to expertly built atmosphere and skillful camera work, we will feel as if we were there with the prisoners. Even after years, the film has not lost any of its impact and still stands as one of the best creations in its genre. The fact that Steve McQueen literally sacrificed himself for the role is well-known, and his transformation in prison is truly powerful.
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This breathtaking film about the (un)freedom of man and his mind cleverly took perhaps not the best, but certainly the most attractive passages from Charrière's novel and made them unforgettable. Even the arrival at the camp (yes, like the guillotine scene) leaves no one in any doubt that Devil’s Islands is truly evil, and what happens over the next two hours only underscores everything. The claustrophobic "solitary confinement" scene, which I dreamt about for a couple of nights, the failed escape attempts that only increase Papillon's desire for freedom, the heart attack finale... And many others. The film is great thanks to the McQueen-Hoffman duo, Schaffner's oppressive direction and, of course, Jerry Goldsmith's pleasantly melancholic score. Five stars and never less.
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The craftsmanship is absolutely top-notch, the atmosphere absorbs you and doesn't let you breathe a sigh of relief. But it is also unforgivably lengthy and at times truly empty, like the same magnificent Da Vinci painting hanging on every wall of a gallery. The actors are amazing, the idea is immortal, boredom is sometimes present. 80%
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Overrated film, or a film that I need to have a slightly different life experience to truly accept it as something great. No, I didn't like the story, which was extremely stretched out, and I didn't even like the silence of the characters throughout the whole film. Acting was good, but that definitely wasn't enough for me.
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