Tajemnice Laketop

(serial)
  • Wielka Brytania Top of the Lake
Spot telewizyjny 1
Thriller / Suspens / Kryminał / Dramat
Australia / Wielka Brytania / Nowa Zelandia / Stany Zjednoczone, (2013–2017), 11 h 6 min (Liczba minut: 45–60 min)

Scenariusz:

Jane Campion, Gerard Lee

Muzyka:

Mark Bradshaw

Obsada:

Elisabeth Moss, Thomas M. Wright, Holly Hunter, Peter Mullan, Michelle Ang, Jacek Koman, David Wenham, Jay Ryan, Cohen Holloway, Lucy Lawless (więcej)
(inne zawody)

Serie(2) / Odcinki(13)

Opisy(1)

Elisabeth Moss wciela się w rolę detektyw Robin Griffin, która bada sprawę tajemniczego zaginięcia dwunastolatki. Małoletnia Tui jest w piątym miesiącu ciąży, jednak nie chce zdradzić kto jest ojcem dziecka. Kilka dni później dziewczynka znika w niewyjaśnionych okolicznościach. W kontynuacji zatytułowanej China Girl akcja skupia się wokół śledztwa w Sydney. Griffin musi odkryć tożsamość niezidentyfikowanej kobiety, której ciało zostało znalezione na plaży. (Best Film)

(więcej)

Recenzja użytkownika gudaulin do tego serialu (1)

China Girl (2017) (S02) 

angielski I have only seen the 2nd season and it is quite possible that the first season of Top the Lake is significantly better - after all, the quality of the scripts of Westworld seasons 1 and 2 is divided by at least half a galaxy - but after a disappointing experience with China Girl, I don't have the slightest courage to risk a collision with something so clumsily written. It is a mystery to me how the series deserves such wide publicity because when watching the series characters, I felt as if Saga Noren's psychiatric diagnosis from The Bridge series was a contagious disease and an epidemic broke out among the antipodes. I practically always had a feeling of inappropriateness, and the behavior of the characters lacked internal logic and their emotional reactions were strange, as if influenced by drug intoxication. Jane Campion is not a skillful storyteller, but everything cannot be attributed to stylistic flaws. During the attack of the wild wheelchair user, I had the impression that the creative tandem openly made fun of me. Of all the feminist works of the last decade, which conjugate gender in every way, China Girl appears to me to be unquestionably the weakest and fails as a crime thriller as well as a social drama. The only bright spot was the presence of the likable and unique Elisabeth Moss in the lead role. With a different script, her casting could have meant a victory. Overall impression: 25%. ()