Detektyw

(serial)
  • Stany Zjednoczone True Detective
Zwiastun 12
Kryminał / Dramat / Suspens / Thriller
Stany Zjednoczone, (2014–2025), 31 h 7 min (Liczba minut: 54–86 min)

Obsada:

Matthew McConaughey, Woody Harrelson, Michelle Monaghan, Colin Farrell, Rachel McAdams, Taylor Kitsch, Kelly Reilly, Vince Vaughn, Michael Potts (więcej)
(inne zawody)

VOD (1)

Serie(5) / Odcinki(31)

Opisy(1)

Głównymi bohaterami serialu HBO Detektyw są Martin Hart (Woody Harrelson) i Rust Cohle (Matthew McConaughey), dwaj detektywi i byli partnerzy, którzy w połowie lat 90. pracowali w wydziale kryminalnym w Luizjanie. Prowadzili wówczas śledztwo w sprawie makabrycznego morderstwa, które mogło mieć rytualny podtekst. Podczas poszukiwań mordercy ich losy połączyły się w nieoczekiwany sposób, co doprowadziło do konfliktu. W 2012 roku zostaje popełnione podobne morderstwo. Dwóch nowych detektywów przydzielonych do sprawy postanawia przejrzeć akta z 1995 roku. Martin i Rust opowiadają im o dawnym śledztwie i swoim życiu, wyjawiając przy okazji powody, które skłoniły Cohle’a do odejścia z wydziału zabójstw w 2002 roku. Opowieści detektywów o śledztwie zmuszają mężczyzn do powrotu do bolesnych wspomnień i do świata, który dawno zostawili za sobą. (HBO)

(więcej)

Recenzja użytkownika DaViD´82 do tego serialu (1)

Detektyw (2014) 

angielski The Louisiana season: Or how existential crime series à la Dürrenmatt dealt with a Scandi overlap thriller à la Larsson in a Deep Southern (and thanks to Rusty, nihilistic, and thanks to Marty hypocritical) way, with the essence of Southern noire. Which resulted in a (pan)genre movie with inimitable genius loci which is extremely existential, very symbolic, not literally reading the unspoken between the lines, very dismal, very subliminally disturbing, very mosaic-like in terms of narrative and primarily very (but really very) good. The Arkansas season: After the second, conceptually boldly different (however not completely successful) season, the third “yellow-bellied" season returns to what worked first time. And it works again. Again we have an oppressive and disturbing atmosphere-oozing masterpiece of cinema where the genre plot takes the back seat and serves purely as a catalyst for in depth character study of ambiguous, unbalanced animate characters across time. For its casting, performances, camerawork, production design, easy to follow despite three timelines... All of this is worthy of one of the current flagships of quality TV. The bigtime problem storyline is the one connected with the present which, thanks to paper rustling games with a problematic memory, serves as a carrot on a stick leading us toward gradual and final (non)revelation. And to make it worse, this becomes the central storyline of the last episodes. It doesn’t help that the creators are constantly would-be mysteriously hinting “just wait, you’ll see". While, to the attentive viewer, it becomes immediately clear where things are headed. In a purely crime genre where the case and (not)solving it play first fiddle, this would probably work on a scale of a few episodes. But not as the connecting thread of an eight hour movie “about characters and relationships", which season three tries to be. P.S.: Even HBO itself jumped on the bandwagon with the creators by beating about the bush with the description “frightful case of child murders". But this is like saying that the Red Sox won, but when you look at the results you find out that not only did the Red Sox not play, but the game ended in a tie. | S1: 5/5 | S3: 3/5 | ()