Bumblebee
Bumblebee
Reżyseria:
Travis KnightScenariusz:
Christina HodsonZdjęcia:
Enrique ChediakMuzyka:
Dario MarianelliObsada:
Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Pamela Adlon, Jason Drucker, Dylan O'Brien, Justin Theroux, Angela Bassett (więcej)VOD (4)
Opisy(1)
Rok 1987. Na jednej z kalifornijskich plaż Bumblebee znajduje azyl na złomowisku. Tymczasem Charlie (Hailee Steinfeld), dziewczyna u progu dorosłości, próbuje zrozumieć świat, wciąż szukając w nim dla siebie miejsca i roli. Na wspomnianym złomowisku znajduje zdezelowanego, rdzewiejącego Bumblebee. Kiedy udaje jej się go odrestaurować, szybko orientuje się, że Bumblebee nie jest zwykłym żółtym „garbusem”. (UIP)
(więcej)Recenzje (10)
Bumblebee is something like E.T., but with a transformer instead of an extraterrestrial: an outsider without a father or friends finds a kindred “spirit” in a visitor from outer space. The whole film is set in the American suburbs in the 1980s, which, in addition to numerous hit songs of that decade, also involves watching Alf on television and a reference to The Breakfast Club. Like the early films from Amblin, it works flawlessly, without slowing down and without a scene that would sooner or later fail to find its justification in the overall structure of the narrative. Though Travis Knight does not offer such uncluttered and spectacular 3D action scenes as Bay, he dedicates much more time and space to the characters, whose actions have comprehensible motivations and are easy to connect with on an emotional level (yes, that includes Bumblebee). The film very skillfully avoids having the protagonist resolve all of her problems (low self-confidence, no friends, longing for her father) by means of getting a car. Thanks to the adventure experienced, she finds the necessary resources within herself. In the “blockbuster for the whole family” category, there is not much to complain about in this film. A very pleasant surprise. 80%
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Given how disappointed I was with the second instalment of Transformers, the four stars I’m giving to this flick are quite an improvement. The authors went back to basics and delivered an incredibly simple story, whose script however contains everything I need to grow fond of Bee and enjoy some plot twists. While watching this movie, I realized that today’s blockbusters usually lack a certain charm that would make them stand out from the average and arouse some emotions in me. This film succeeded in doing so, even though I didn’t expect it to. Of course the 1980s feel, so popular in these days, played a huge part in that. Plus I must say that John Cena was a great casting choice. I hope to see him in more movies.
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This was really good, and if Transformers continues in this form, I'll be happy to go see it. Travis Knight has handled the move from animation to live-action CGI spectacle flawlessly, and he's absolutely confident in the action scenes – which are considerably clearer than in any of the Transformers sequels. They're also usually significantly smaller, of course, but again, in one-on-one fights, you get to enjoy the robot MMA considerably more, and when it comes to epic battles of armies, there's plenty to watch too, and it's never a mess. In fact, after the opening scene, I was thinking that I wouldn't mind at all if Knight actually ended up directing the third Guardians of the Galaxy. But what's especially nice is the fact that the film isn't afraid to slow down and tackle the characters, both the human and transformer ones. Bumblebee relies on a nice 80s atmosphere, a fun soundtrack and the feel of adventure films like the ones Steven Spielberg made in that decade. Besides, Hailee Steinfeld does a fine job as both a selfless teenager and a determined heroine, and John Cena doesn't get in the way either. It looks good, it's good to watch, and it's just long enough, though it could have been paced a little more briskly in the middle section. The phrase "less is sometimes more" applies 100% here, and this is by far the best film in the Transformers franchise after the first. As it stands, Transformers still has a lot to offer, so hopefully people will go see it. Although I understand that after The Last Knight, what I write here is probably hard to believe. But give it a chance, you'll be pleasantly surprised.
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It really tries to go back to a series of emotions and at the same time follow the current trend of back to 80s. It really wants to be "cute" and have soul, so much so that it falls into a mindless schematic. All of the things are so ostentatiously assembled according to a manual that they have trouble communicating with each other. Moreover, if someone laughed at Bay that his female heroines seem artificial, this is a different type of art - Charlie is constructed as an essential outsider with emotions so consistently that her alternation of teenage angst and sadness seems purely robotic. As well as the constant incorporation of 80s realities and references into the story. I get that naivety is a trademark of films for teens, but even these can be done so that they do not act like the result of a focus group session. Unfortunately, that's exactly what Bumblebee comes off as. Props for the cameo Optimus and the unintentionally funny John Cena. I hereby disconnect from the series and I will be happy to remember Bay's total sociopathy of the last episodes. In some ways, it was more stimulating than this colorful nostalgic junkyard.
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By far the best (and clearest!) Film of the Transformer Universe. Which, on the other hand, does not say much about the qualities, as it is still a reprehensibly dressed uniform “wannabe consumer mix of ETho / Iron Giant / Herbie", from which it is difficult (if at all) to recall a specific scene or emotions. So, beyond the philosophical inquiries of inquisitive children, is it not too late four days before Christmas to write / draw and deliver a new letter to Santa, because “The bumblebee from the best film in the world" has to be under the tree, that´s for sure. However, Santa Claus was counting on this, so he can confirm first-hand that even an adult will have more fun with a plastic Bumblebee than with those two hours of CGI footage.
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The Transformers under Michael Bay's control seemed to have grown stale and overwrought, no one really cared about them anymore, but newcomer Travis Knight made Bumblebee a very enjoyable film. Bumblebee is 80's retro as fuck, with an excellent 80's soundtrack, the amazing Hailee Steinfeld, who is turning out to be a great actress and singer, and it was a delight to see John Cena as a soldier. Bumblebee himself is as cute as ever. There's not so much action though, the film is more intimate, fateful, emotional and atmospheric, yet when it comes to the action it's filmed clearly, briskly and confidently. The scene where Bee escapes from the garage to her apartment is one of the film's funniest. Not a huge hit, but the Transformers franchise is going in the right direction and it definitely works much better that way. 75%
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“Don't you forget about me.” “U WISH” or it is paradoxical that, similarly as Bumblebee himself mixes his comments from radio broadcasts, the film makes it possible to string together quotes to form a review, which unfortunately is not in any way ecstatic. That, however, is a pity and a shame, as the director’s name, or rather his preceding filmography, offered high hopes, and that’s not even to mention the brilliant first trailer, which, as it turns out, offers a more intense spectacle and thus greater promise than the film itself. Whether Travis Knight gave in to pressure from the producers, who wanted a polished product, or is simply a solid director in the sense of an organiser who is only as good as the sum of his collaborators, the sad truth remains that he did not live up to the expectation that he would pull the transformers out of the gluttonous irrationality of Bayhem – https://www.youtube.com/watch?v=2THVvshvq0Q – and give them heart and emotion. On the contrary, in light of the insipid and mediocre result that merely checks off all of the safe and necessary attributes of a family blockbuster, it shows that, whether you like it or not, Michael Bay is simply unique in his style of spectacular excess and bloated consumerism and, thanks to his overblown ego, he remains such a strong personality that he is able to add a certain distinctiveness to cock-and-bull stories about cars concealing their faces. Though his films are overwhelming for viewers, they remain unforgettable in their own way, which unfortunately is not true of Bumblebee’s solo outing. While we’re on the topic of memory and forgetting, those comprise the central motif of the film. It is essential that this plot diversion is framed by the autobot’s loss of memory, thanks to which it can, well, transform from a cool fighting machine into a cute and cuddly pet for a while, which, incidentally, contributes to one of the really outstanding elements of the film, which is the flawless animation of the titular protagonist. Even though this standard series script element did not give rise to any sort of exceptional contribution in the context of the franchise’s transformers, it still would have been nice if the creators of other franchises adopted it, because it could, for example, bring a breath of refreshing exaggeration to excessively serious comic-book films. In fact, this may also comprise one of the reasons that Bumblebee does not bring forth the longed-for refresh, because the franchise itself or, better said, its dominant form established by Bay cannot be taken seriously. ___ PS: If only the producers and distributors would finally dump the nonsensical 3D in films that are not designed to be 3D movies. With its few characters, Bumblebee is just such a small film that prefers half-details over grand scenes (and grand scenes come across as hopelessly empty in it), so it doesn’t have anything to show in 3D. With a few distinct exceptions, the attraction of 3D has always been merely as a way to justify higher ticket prices and artificially inflate a film’s box-office revenues, but the producer of Bumblebee didn’t even try to justify it with at least one scene or shot where there would be some sort of rationale for the 3D effect.
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I didn't expect to be able to sell Trasformers as a fairy tale to my daughter, but I did! Dumb Bumblebee with no memory won her over by being scared, dancing and spitting tapes of crappy music. Travis Knight returned the brand to its roots and instead of Bayhem, he offers a nice story about a young girl's relationship with her VW Beetle. Hailee Steinfeld is very good, so is John Cena, and the others don't really need to be mentioned, except for my friend Paul, who almost destroyed the planet with his trust in bad aliens. Great action, nice music, bring in the sequel.
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After the very first film, where the direct influence of Steven Spielberg was clearly evident, and out of the whole foursome, this third installment is for me the most enjoyable contribution to the whole metallized saga. What I like most about Bumblebee, which only references Spielberg here and there, is that it has real soul. The protagonist is not only pleasing to look at this time, but she's also natural and believable, and well, the rather big news for me was that I believed that a friendship really did develop between her and the revived yellow Volkswagen. It was more important to me than the otherwise pretty ridiculous storyline about people falling for the bad guys (although Agent Burns, played by John Cena, very commendably trashed it whenever he could). The gimmicky scenes were kept down to earth this time, and it was a good thing (remembering the last time Michael Bay literally drowned me with them still makes me a little sick).The only disappointment was Dario Marianelli's score – I thought his involvement was a rather odd choice, and whatever I think of Steve Jablonski, I like hearing his main theme.
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I had only seen the first film of the Transformers saga in 2007 at the time of its release, so Bumblebee was a return to the franchise for me after more than a decade. Thankfully, Bumblebee isn't cluttered with visual effects and explosions compared to Michael Bay's films, so it all feels more uncluttered and doesn't make your eyes hurt. Basically, it's a fairly straightforward film with a straightforward plot and a clear ending that is blatantly reminiscent of E.T. through the main characters and the 80s look, but it was still nice to watch, the plot flowed, the action scenes worked, there was the occasional laugh out loud scene and there was a modest amount of relationship and family themes. An unpretentious diversion for the whole family that surprises mainly because of how nicely and pleasantly it is filmed.
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