Marshland
Marshland
Marshland
Reżyseria:
Alberto RodríguezZdjęcia:
Alex CatalánMuzyka:
Julio de la RosaObsada:
Javier Gutiérrez, Raúl Arévalo, Antonio de la Torre, Nerea Barros, Jesús Castro, Manolo Solo, Ana Tomeno, Jesús Carroza, Adelfa Calvo, Salva Reina (więcej)Opisy(1)
Południe Hiszpanii, rok 1980, kilka lat po śmierci generała Franco. Właśnie zaginęły dwie nastolatki. Szybko okazuje się, że dziewczęta nie żyją, a przed śmiercią zostały zgwałcone i torturowane. Wstrząśnięta lokalna społeczność orientuje się, że w przeszłości dochodziło już do podobnych zdarzeń. Dwaj detektywi z Madrytu, Juan i Pedro muszą odłożyć na bok wszelkie animozje i to, co ich dzieli. Przed nimi zadanie schwytania bezwzględnego mordercy, od lat terroryzującego mieszkańców miasteczka, nad którym unosi się cień zupełnego lekceważenia kobiet, wynikającego z mizoginicznej tradycji autochtonów. (Aurora)
(więcej)Recenzje (4)
A Spanish feature-length version of True Detective (with its locations, the detective duo and gloomy atmosphere), Marshland is engaging with its multidimensional characters and suspenseful, disturbingly unresolved climax. It’s also well edited, with a lot of unexpected powerful moments.
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Unprecedentedly impressive "Spanish-Louisiana" genius loci of a place in the middle of nowhere that goes hand in hand with a disturbing atmosphere in a thriller about a pair of distrustful detectives in a dark "Fincher crime movie" that is as much about the brutal murder of young girls as the about two of them, their demons and the time just after the Frank regime. Visually refined (shot from above of endless falling rain drops!), well performed and also, unfortunately, the closer to the end, the more the course and sound become somewhat genre-wise and already seen countless times elsewhere, although not necessarily always of such quality.
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An example of a very basic detective story, which benefits only from its impressive atmosphere, evoked primarily by the choice of setting and the minimalist stylization of the mise-en-scène. Although it’s impossible to predict the development in advance, there is no moment of significant surprise or a scene that would grab a slightly more experienced viewer by the balls and give them a good wiggle. The ending is very good, but the violent connection with the dark period of the post-Franco regime (again serving only to evoke atmosphere) has far from the desired effect and is basically superfluous. Still a solid and confident genre film, though. 65%
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An excellent crime drama from post-Franco Spain, its atmosphere reminiscent of the first series of True Detective or the 90s film Se7en. It is pushed above the genre average by well-written characters and the bold incorporation of the political/social level, which is bolted onto the central criminal plot in an interesting way.
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