Pod ostrzałem

Zwiastun 1

Opisy(1)

Sprytny oszust, uciekając przed zawodowym zabójcą, postanawia dać się schwytać policji, by znaleźć schronienie w małomiasteczkowym komisariacie. Nie spodziewa się, jakie to będzie miało konsekwencje. Z pozoru bezpieczny areszt zamienia się w morderczą pułapkę, gdzie jego prześladowca okazuje się być tylko jednym z wielu śmiertelnych zagrożeń. Gdy zabójca pojawia się na komisariacie, do akcji wkracza wyjątkowo zadziorna i charyzmatyczna policjantka. Tak oto rozpoczyna się istny festiwal chaosu i zniszczenia. (Cineman)

(więcej)

Recenzje (3)

EvilPhoEniX 

wszystkie recenzje użytkownika

angielski Joe Carnahan is a fine director, he's done The A-Team, The Grey, Boss Level, Smokin' Aces and Stretch, he's even planning a remake of The Raid, but Copshop is the least interesting of his work to me. The whole film takes place in a police station with few characters and although it stars Butler and Grillo, it drags at times. I didn’t like the dialogue too much, the script isn't very imaginative and there’s no action the last half hour, which makes it all the more frustrating. A standard average that probably won't offend anyone, but at the same time you won't lose much by skipping it. Carnahan can definitely do better and hopefully his remake of The Raid won't be too much of a flop. Story 3/5, Action 3/5, Humour 1/5, Violence 2/5, Entertainment 3/5 Music 2/5, Visuals 3/5, Atmosphere 3/5, Suspense 2/5, Emotion 1/5, Actors 3/5. 5/10. ()

3DD!3 

wszystkie recenzje użytkownika

angielski A special conversation thriller with an almost absurd multiple ending. The grandson of a Nazi against all sorts of swines... It’s as if Carnahan is paying a twisted homage to Carpenter’s Assault on Precinct 13. Buttler is excellent, Grillo slightly outside his comfort zone and the awesome Toby Huss as a twisted psychopath balloon vendor, Antony Lamb. It has its moments, but overall it’s only got enough to score a high average. ()

Necrotongue 

wszystkie recenzje użytkownika

angielski It’ll do as an action flick for a lazy afternoon. You can even catch up on some chores while you’re watching, as it’s not very demanding. I couldn’t help feeling that the film was trying to pretend it was better than it actually was. I’m sure Potemkin would be proud. All those supersmart and cool dialogues were actually about nothing, the amazing twists were hardly surprising, and the whole thing was just plain mediocre. The lesson I took away from the film is: "If you can't shoot, don't invest in a revolver, buy a shotgun instead. Preferably a semi-automatic." My other takeaway was that I learned to tell the difference between a professional killer and a psychopath. ()