3DD!3

Entertaining bits with almost no dialogue. An honourable exception is the verbal diarrhoea of Bunny and Ducky, who won't shut up, while Soul of the City and Chore Day - The Incredibles Way are among the best episodes.

Heavyweight romance in a visually appealing package. Old-fashioned narrative pacing, a charismatic Idris, and stories within stories of love and longing. This take on “Tales of a Thousand and One Nights”, also clearly Miller's heart project in the style of Terry Gilliam, it's a clean counterbalance to the mindless action everyone expected after Mad Max: Fury Road. This is more of a compelling movie for a date.

This show is absolutely outside of anything I would normally watch or enjoy. Unfortunately, Marvel has begun to include genres I dislike or avoid in their experiments. Also, a sometimes lousy, sometimes interesting attempt (the finale) to break the fourth wall. In order to make things interesting, K.E.V.I.N. squeezed The Hulk, Abomination, Wong and Daredevil among the supporting characters. The hammy script is based on the comics, but I don't read them. The inconsistent visual effects also spoil the overall impression, but to be honest, if the story was more interesting, I would forgive that. If it weren't for the stellar guest cast of already established characters, it would be awful. Tatiana Maslany is not bad, but the character of Hulk’s cousin doesn’t have much to offer, so it just glides on fashion trends.

An excellent prehistoric treat starring dinosaurs in love. Fun, playful, original, and the final twist with the cat is brilliant.

We have a new hero at home. Forky is a favourite of the little one and he intersperses educational drivel with bad jokes and cheerful dances, and at home we are satisfied. The episode with the cup is great. I understand the low ratings, parents don’t have time for FilmBooster and the kids don’t have FilmBooster. I hope I’ll be able to procure a plastic spork before the EU bans them.

It's a reflection on people, about who we are and what we are willing to do for our lifestyle. About morality, fleeting feelings of happiness and lying to ourselves that we were actually doing it for the greater good. Garland's subject walks untrodden island paths in the shoes of a dim-witted, young-faced American, Leonardo DiCaprio, who destroys relationships and a community that was looking for a better life because it was bored in the real world. The scenes with Robert Carlyle are a beautiful manifestation of the modern concept of madness. There’s not a single likeable character.

It was good. Giacchino fulfils his childhood dreams and after composing film music, he also makes films like he did in his cellar when he was a kid. The horror atmosphere is fine, even the quite surprising plot with the lesson that monsters stick together. Maybe the visual effects sequences and the black and white stylisation are a bit weird.

A giant sow standing on a skyscraper?! The classic theme of oblivious masters with a superheroic setting offers some good jokes, well-paced action and a fairly infantile plot. The main villain is properly psychopathic and the disparate band of heroes is quite entertaining. Nothing extraordinary, nothing extraordinarily bad. Decent fun for the little fans of animals and DC. P.S: The post-credit scene is quite something. Black Adam’s dog is very unlikeable, if it is in the film, I’m not going to the cinema :)

Andrew Dominik recreates the heavy atmosphere surrounding Norma Jean’s horrific life right from the very first scene, with Hollywoodland in flames. His work with the picture, alternating cameras, colors and lighting and even picture size surprisingly enhances the storytelling, rather than being a distraction. Ana de Armas’ performance is fantastic, styled as housewife on the brink of madness, slash promiscuous movie star. The way the story is broken up into separate scenes is sometimes confusing, but necessary, otherwise the movie would have to last four hours. The dream and drug sequences at the end are a delight. The premiere of Some Like It Hot ("I Love Love Love You All") with the monster photographers is the high point of the whole movie. It is certainly more watchable than Mank, but Blonde just isn’t a movie for everybody. If you let it, it’ll swallow you whole. P.S.: The White House scene is far from a disappointment!

An ideal pre-sleep watch. Nighttime versions of us who do what we don’t want to is a concept taken to perfection. And it’s all crowned by a wild action sequence flirting with parody. One of the best episodes. Who wants a six-pack like that?!