kaylin

I'm not a big fan of classics being adapted into films, but the story of "Little Women" is interesting enough to potentially work in a cinematic format, especially with compelling actors involved. This adaptation is well portrayed thanks to the selected actresses and feels believable. The emotions feel somewhat natural.

Tinto Brass wasn't always just a pig, but maybe he was trying to convey something with his films. At least that's the feeling I had with the film Salon Kitty, where surprisingly the best erotic scenes, which are still quite restrained for Tinto, are not the highlight, but rather the "visit" scene, which manages to leave a lasting impression. Unfortunately, the film overall did not.

I feel close to nature, although certainly not as much as I would like. And so I liked this film, which is actually a romance. I liked it because there is an emphasis on the connection with nature, and those who appreciate it are actually portrayed as the better ones. I guess that's how I see the world, even though the romance itself was nothing special.

It's a bit of a safe bet, but I liked how it's narrated in such a scattered way but still not poorly, so the audience doesn't get lost in it. What's a real mess is the finale, which essentially kills this film. The dumbest possible ending a screenwriter could come up with. It's a shame, as otherwise, it would have been a decent B-movie.

For me, this is a very enjoyable old-school sci-fi that I liked for its naivety, its focus on interiors, and its similarity to Krakatit in terms of its underlying message. In this retro presentation, it's just fun. The ending is almost unexpected given how fixed your expectations might be from American films.

Even though the film isn't particularly well-executed and exudes a sense of smallness, which is a shame, the subject matter is simply close to my heart and interests me. I'm more interested in him as an author than as someone who has been a victim of violence. The fantasy element that is added to it, in my opinion, works well and the film has a message.

If you want to watch a movie with Lina Romay, I would choose Rolls-Royce Baby. It's not a great film, it's not even an interesting film in terms of plot, but Lina Romay really shows herself from all angles here and I have to admit that I liked it. Just because of her, for nothing else, but this time that was enough.

Melanie Lynskey and Elijah Wood form a brilliantly quirky duo, and the film stands on their performances, even though it relies on peculiar characters and the twists that occur. Even though it starts off as a fairly ordinary depressing movie, it takes a bizarrely criminal turn. The grittiness is quite surprising in places.

Fear, Inc. isn't exactly a great comedy; it has its weak moments. However, on the other hand, it's not a bad comedy either. The play on the audience is quite good here, and it manages to grab and hold your attention until the end, which I appreciated. Even though the finale is essentially just one big horror cliché, you simply wave your hand at it, knowing that you enjoyed the journey to get there.

I really liked the rawness of the whole film, especially because of the actors who aren't unnecessarily glamorous but rather seem like ordinary people. It gives you the feeling that you're truly on the streets, grappling with drugs. And it's not pretty. I really appreciate this pseudo-documentary approach, and I enjoyed it a lot, even though the plot may not necessarily resonate deeply with you.