Powrót do przyszłości III

I leave comments about the weakest part of the series aside, because I have always viewed BTTF as one cohesive story. It's hard to believe that Zemeckis and Gale didn't originally plan for a trilogy and initially left the open ending of the first film only as a space for the audience's imagination, because other screenwriters struggle their entire careers to come up with as many ideas and plot points as they put into these three movies. (01.05.2006)

Today's throwback brought me a decent dose of entertainment, which was not entirely expected, as American creators have shown me several times that transporting characters into the Wild West does not always result in success and comedic elements often turn into awkwardness. The third visit to the past/past present/past future managed to avoid these pitfalls, and although it didn't reach the quality of the first installment for me, it amused me more than the second one. Michael J. Fox and Christopher Lloyd complemented each other brilliantly once again, the rest of the cast didn't spoil it for them too much, and I didn't even notice the almost two-hour running time. So yes, I enjoyed it. / Lesson learned: Thoroughly go through Clint Eastwood's movies again, it might save your life sometime in the past or in the future. 4*+ (26.06.2023)

After watching the whole Robert Zemeckis trilogy, I can say that I found all parts comparable in quality and each one managed to win me over in some way. After the ground-breaking first and the time-layered second came the third part, which, although almost entirely set in the Wild West of 1885, still managed to entertain and thrill me just as much as its two predecessors, which played with the time planes a bit more. Again, I commend the late 19th century visual stylisation and more than one humorous allusion (Clint Eastwood, Frisbee). The final race for time with the train was truly thrilling and incredibly well shot for its time. Even though I only recently got into the trilogy, and its cult status slightly passed me by, I was slightly nostalgic during the closing credits, knowing that this was the last adventure of Marty and the Doc. (02.08.2021)

Probably the best and cleanest of the whole series. The transfer to the Wild West and the slight calming down of the pace only benefited the film. Finally, it's not such a crazy, nonsensical farce, but quality sci-fi full of twists, precarious situations, plenty of solid humor and a huge dose of irony. Technically, it is certainly the most skillful part, which we, of course, owe to the year of its creation. Even so, this series is rather a suffering for me, mainly because of excessive fragmentation and inconsistency within the genre. Intentional? I understand, but not my cup of tea. (06.09.2012)

"If you don't come out in ten seconds, everyone will know that Clint Eastwood is the most cowardly piece of shit in the entire West!" It really isn't usual for third installments, especially third installments that are filmed concurrently with the previous installment, to have any major character development of established characters. Yet this happened with the third installment of Back to the Future, and my suspicion is that it was done in order to create some new framework for the story, where the tropes already used in the previous episodes would not be repeated over and over again. You can tell then how Spielberg and Zemeckis thought of the characters as action figures on a road carpet, and sometimes they just had to get a character out of it. I think I like the third installment the best. It's the most compact, the most far-reaching in terms of execution and gimmickry, and the instrumental country version of Doubleback by ZZ Top is a terrible blast. Except that Doc in his western clothes looks unduly creepy to me, because he looks like a combination of Klaus Kinski from Fitzcarraldo and my cobbler. And the fact that the gravedigger wasn't a Tim Curry cameo took a bit of wind out of me, too. (31.05.2021)