Les Hautes Solitudes

Francja, 1974, 80 min

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Dionysos 

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angielski The film Law of Solitude. There’s always only one face in one shot. A person is alone in the film window, and the shot is alone in relation to all the other shots. Trying to find continuity between the shots would mean simultaneously tearing the characters from their solitude because the story already creates a connection between multiple shots, resulting in the interconnection of characters within a common time and space. This does not happen. Seberg has her frame, and Aumont has hers. Only Terzieff duplicates himself in the mirror. The only case when there are two faces on the screen at the same time is the perfection of illusion. Every viewer who would want to find a story in the film and thus defeat loneliness will find no clue in the film and no legitimate justification for their heroic act: they will be on their own. ()

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