Ray
Ray
Reżyseria:
Taylor HackfordScenariusz:
James L. WhiteZdjęcia:
Paweł EdelmanMuzyka:
Craig ArmstrongObsada:
Jamie Foxx, Kerry Washington, Regina King, Patrick Bauchau, Curtis Armstrong, David Krumholtz, Richard Schiff, Larenz Tate, Clifton Powell, Usher (więcej)VOD (4)
Opisy(1)
Historia życia jednego z największych muzyków jazzowych na świecie Raya Charlesa. Opowieść rozpoczyna się w Albany, rodzinnym mieście muzyka. Film opowiada o dzieciństwie Raya, problemach z narkotykami i z miłością. Muzyk w wieku 6 lat zachorował na jaskrę i stracił wzrok. Jeśli życie w jakiś sposób jest sumą wydarzeń, historia Raya Charlesa może zostać odczytana, jako pasmo osobistych wzlotów i upadków, jakie towarzyszyły jego długoletniej karierze w przemyśle muzycznym. Ale w przypadku człowieka, który radził sobie ze swoimi udrękami, bólem i ciemnością, tak dobrze jak z różnorodnymi stylami muzycznymi - jazz, rhythm & blues, rock'n'roll, gospel, country & western - jego historię można odczytać w zupełnie inny sposób. Życie Raya to powstała na bazie sekwencji wydarzeń, poruszająca i inspirująca podróż jedynego w swoim rodzaju geniusza, który dał światu zupełnie nową wrażliwość muzyczną. (UIP)
(więcej)Recenzje (4)
The Oscar nomination for Best Picture is a purely political matter. Ray is meticulously shot, the musical numbers are brilliantly edited, and Jamie Foxx brilliantly reflects all of his character’s physical and psychological attributes. But without him and the cinematographer, the screenply would put a smacked-out Ray Charles to sleep given its length. The movie is a nice tribute to a great musician (in which you will find parallels with his own life), but it’s far from being a great film experience.
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Solid craftsmanship, breathing the atmosphere of the 1950s and 60s, but a conventionally conceived and cinematically unexceptional biopic of a musical genius (Hackford's Oscar nomination is a bit mysterious to me). Despite the presence of two or three poignant scenes from Charles' childhood, the glimpses into his life left me emotionally cold, although Ray's colourful life urged otherwise, but the fantastic musical numbers compensate for that (the absolute killer "The Mess Around" in the rehearsal studio, the improvisation on "Baby, It's Alright", the circumstances of the creation and the song "Hit the Road, Jack", and many more), they kick the viewer into gear and beat flawlessly to the beats of R’n’B. Foxx does a great imitation of a great piano virtuoso and I fully believed him as a soul star. Final rating: three and a half stars, rounded down this time due to the high expectations.
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I would call it craftsmanship. Some scenes were unnecessary, the flashbacks of youth were touching and engaging, but not extremely important. However, it is incredible how riveting an ordinary recording session in a studio is in Hackford's delivery, for example. If the best scenes in a film about a great musician are the ones where music takes center stage, at least in this aspect, everything is fine.
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This is exactly the type of movie where an actor can show off their skills. An interesting and well-known character, who did not have an easy fate (blindness, drug problems, infidelity), plus he is a singer. So it will really require a capable actor. And Jamie Foxx has shown that, truly delivering a life-changing performance. Incredibly believable, with a great voice, and everything in favor of the movie. It is well built on its own, and the flashbacks are well connected to the present storyline. Yes, it is still just a biopic, but the viewer learns everything important. Excellent acting.
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