Zur Sache, Schätzchen

Martin, a bohemian who earns his living as a commercial songwriter in Munich’s arty Schwabing district, believes in the right to be lazy. At a public swimming pool on his birthday, he meets Barbara, a young woman from a wealthy family. They go to the zoo, where he kidnaps a goat kid, and he invites her home that evening to show off his flip-book. “Making out” is as much a part of his eloquently expressed pseudo-philosophy, in which imagination counts for more than experience, as the fatalistic adage, “it’s going to end badly”. And, indeed – after witnessing a burglary, Martin himself comes under suspicion. (Berlinale)