Reżyseria:
Omar NaimScenariusz:
Omar NaimZdjęcia:
Tak FujimotoMuzyka:
Brian TylerObsada:
Robin Williams, Mira Sorvino, James Caviezel, Mimi Kuzyk, Stephanie Romanov, Genevieve Buechner, Brendan Fletcher, Joely Collins, Blu Mankuma (więcej)Opisy(1)
Korporacja Zoe Tech wszczepia w mózgi nienarodzonych dzieci implanty rejestrujące ich życie. Dzięki temu tzw. tnący mogą po ich śmierci zmontować filmy, które pozawalają zachować dobre wspomnienia o zmarłych. Alan W. Hakman, uważany za najlepszego tnącego, podczas pracy trafia na ślad własnego dzieciństwa. Materiał pokazuje jego 40-letniego przyjaciela, który zginął, mając 10 lat. Mężczyzna próbuje rozwiązać tę zagadkę. Zaczyna podejrzewać, że wszczepiono mu implant. Okazuje się, że jego wspomnienia są dla wielu osób niebezpieczne. (CBS Europa)
(więcej)Recenzje (3)
The reservations of some people regarding the unutilized potential of the film have, of course, a rational core; however, my low rating stems from the very essence of the screenplay. The concept is handled in a nonsensical way. In real life, the technology described in the film would not function like this. Its usage would be completely different, involving secret services, the military, and the underworld. I think this invention would definitely fall into the category of forbidden technologies. At first glance, it is evident how huge the risks it brings to society and individuals are, and it would certainly be officially banned. Implanting such a thing in one's child is as reasonable as implanting a dangerous explosive - probably even more dangerous. The screenplay simply does not hold up. Overall impression: 40%.
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A film with a lot of great ideas, a really great performance by Robin Williams and great music by Brian Tyler. It is spoiled only by minor blemishes, but there are quite a few of them (for example, that nobody checks the cutters if they (don't) have an implant), and that’s why four stars are just right. I couldn't give less for that extremely emotional look into my own past.
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This is such a pity because Omar Naim had an incredibly good concept that I enjoyed from the beginning. But then it all got tangled up and an initially interesting concept turned into a completely uninteresting film, not even saved by Robin Williams, who once again plays a great dramatic role. The ending is simply bad and as a result, the film is about nothing.
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