Opisy(1)
MESHI is an uncomplicated narrative told with insightful detail and subtlety from the point of view of the unhappy wife, Michiyo, disappointed by her drab existence and the boorish indifference of her husband, Hatsunosuke, whose attentions are easily distracted by the arrival of his niece. As in the other films discussed here, Naruse portrays life in post-war Japan in an almost documentary fashion, particularly in his location sequences in claustrophobic alleys and near waterways. One of the commentators mentions how it was Fassbinder twenty years later whose dissection of middle-class life in the post-war society in Europe is very much a reminder of Naruse's concerns. (Viennale)
(więcej)Obsada
Setsuko Hara
Japonia
Najlepsze filmy:
Tókjó bošoku (1957)
Wczesne lato (1951)
Akibiyori (1960)
Akiko Kazami
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Najlepsze filmy:
Akahige (1965)
Kiga kaikjó (1965)
Meši (1951)
Haruko Sugimura
Japonia
Najlepsze filmy:
Tókjó bošoku (1957)
Wczesne lato (1951)
Akahige (1965)
Haruo Tanaka
Japonia
Najlepsze filmy:
Ikiru (1952)
Sóšun (1956)
Mijamoto Musaši kankecuhen: Kettó Ganrjúdžima (1956)
Sô Yamamura
Japonia
Najlepsze filmy:
Nihon no ičiban nagai hi (1967)
続・忍びの者 (1963)
Tókjó bošoku (1957)
Chieko Nakakita
Najlepsze filmy:
Asu o tsukuru hitobito (1946)
Sóšun (1956)
Muhómacu no iššó (1958)
Keiju Kobayashi
Japonia
Najlepsze filmy:
Nihon no ičiban nagai hi (1967)
Sukedačija sukeroku (2001)
Sanjuro - Samuraj znikąd (1962)
進藤英太郎
Japonia
Najlepsze filmy:
Adauči (1964)
Sanšó dajú (1954)
Pijany anioł (1948)
浦辺粂子
Japonia
Najlepsze filmy:
Ikiru (1952)
Sóšun (1956)
Nidžúši no hitomi (1954)
Hiroshi Nihon'yanagi
Japonia
Najlepsze filmy:
Nihon no ičiban nagai hi (1967)
Wczesne lato (1951)
Ningen no jôken III (1961)