Restart
Reżyseria:
Julius ŠevčíkZdjęcia:
Kasimir LehtoMuzyka:
Filip MíšekObsada:
Lenka Krobotová, Filip Čapka, Anna Polívková, Václav Jiráček, Miroslav Krobot, Jitka Čvančarová, Kostas Zerdaloglu, Jan Révai, Michal Zelenka (więcej)Opisy(1)
Sylva (Lenka Krobotova) żyje nocnym życiem Pragi, beztrosko zmieniając kluby, nadużywając alkoholu i uciech życia wraz ze swą przyjaciółką Marie (Anna Polivkova). Równie lekko podchodzi do związku z Martinem (Filip Capka), z którym bawi się w miłosne gierki i uczuciowe podchody. Pozornie niewinny żart sprawi jednak, że szaleńczy bieg przez życie zmieni się w koszmarny maraton. Chcąc odzyskać utraconą miłość, Sylva przemierza nocą praskie ulice, w których nic nie wydaje się takim, jakim jest naprawdę. Kalejdoskop nocnych postaci, niesamowite kształty i odgłosy - wszystko to sprawia, iż nie wiemy, czy pojawiające się nie chronologicznie wydarzenia są przeszłością, przyszłością, czy tylko chorym wytworem przerażonego umysłu. (Vivarto)
(więcej)Materiały wideo (1)
Recenzje (3)
A little FAMU film with a soundtrack by Khoiba. As advanced as it is in form, it is utterly futile in the content and dialogue. Even basic emotions are better captured by the editing than by the acting. It could be summed up in one sentence about a bad joke. It's a pity that it didn't gain any depth even over time. Yet what can you expect from a generation that still tended to tell the same story as Run Lola Run?
()
The aftermath of an April Fools’ trick gone wrong. The idea itself of filming this story in the style of Run Lola Run may not be anything original, but it might have worked here if any screenplay existed. Restart is simply an onslaught of random scenes about nothing. But thanks to the short running time and solid pace, you don’t get bored. Most of the weaker moments were rescued by the charismatic Lenka Krobotová in the main role - just a shame she had to play such an unlikeable character. The result is perfect in terms of form and technical details, no argument. However, the filmmakers demonstrated that they have much promise for the future and, if they manage to get hold of a good screenplay, we have something to look forward to. This attempt at restarting Czech cinema is endearing for trying, rather than for its quality.
()
That the courage would be there, there is also knowledge about the possibilities of current video production. What is missing is the ability to understand the difference between a music video and a full-length film, and also the lack of experience and creative humility. And unlike Julia Ševčík, I should not forget about a proper script and better work with characters. In this state, it is just another one of the numerous dead ends of Czech cinematography, and the presence of one of the most charismatic actresses of her generation and a member of the highly acclaimed Dejvické divadlo ensemble, Lenka Krobotová, does not help the hesitant result too much. From Otakar's windswept Eliška, who loves wilderness, Ševčík has indeed progressed, but far from how many clearly think based on positive reviews. The result is just as affected as its main heroine. Overall impression: 25%.
()
Reklama