Opisy(1)
One of the breakthrough films of the Viennese school of experimental film made at the turn of the 1950s and 1960s, Arnulf Rainer is named a er the Viennese abstract artist and later actionist. Peter Kubelka picks up four types of film strips: a clear blank, enlightened black film, a clean soundtrack, and a soundtrack with recorded background noise. This is how he emphasizes the basic elements of reality being captured in film - light, darkness, silence and noise - and the way these elements are transformed on lm material. The illusion of motion is achieved by a stroboscopic effect and the interpolation of the eye between the ashes of the fields. (Marienbad Film Festival)
(więcej)Recenzje (1)
The zero level of film: its decomposition into prime factors - crushing its DNA down to basic bases. In other words: a return to the original foundations of every film experience, which is the interplay of light and shadow, sound and silence. This means that the prejudices and comfort cultivated by decades (and now more than centuries) of conventional bourgeois cinema are painfully disintegrating in the viewer, with unpleasant struggles that mean only one thing: a return to the degenerated sensibility of the viewer to the true roots of their perception. As they say - to bounce off the bottom, we must first finish the bottle - Kubelka has truly brought us down to the very foundation of film.
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