Gymnaslærer Pedersen

Moland's film is essentially an inconspicuous and gentle satire on the fate of the Western European radical left, which had its golden era in the turbulent 60s. It is not a film for everyone, and the sober rating reflects that, but those interested in the subject will be rewarded with a well-thought-out script, decent acting, and above all, an excellent analysis of the relevant social phenomenon. The film may not abound in top-notch gags and does not aim to make viewers laugh, but rather deliberately ironizes the futile radicalism, ideologism, and detachment from reality of those who assumed the right to speak on behalf of the masses and improve the world. The story of a university teacher and his love affair is as unsuccessful as the attempts of the radical left to build communism. The film does not make it easy for the viewer; casting Kristofer Hivju in the role of a lover and intellectual is quite daring and goes against his typical casting, which usually places him in darker horror or thriller roles. Additionally, the story has its tragic side, which becomes apparent in the end. I do have a slight criticism of the film in that its formal aspect slightly lags behind its intellectual content. Overall impression: 90%. (20.09.2010)