Protektor

Proof that excuses for anything are just the alibis of filmmakers who won't admit their own inability to make a good film. Protector is European filmmaking in every sense. After it was over I was still staring silently for half an hour, searching for words. It’s one of those films that fascinates you while you're watching it, but you can't easily go back to it for its emotional impact. (26.04.2010)

I don’t get it. Formally brilliant and complete (the harmony of music and image should serve as an example to other Czech films), and when listening to the dialogues you do not feel like someone is jamming a rusty corkscrew into your ear canal (even during the “I you love" expressions). When you are watching the story you feel that someone put some thought into it and presented to the viewer something that is noticeably missing. A plastic and non-hysterical image of succumbing to the magic of ideology, however primarily motivated by good intentions. A psychologically elaborate drama in which much more general features of the relationship between man and "history" are revealed on a protectorate backdrop. It's sarcastic, sophisticated and it has power. The image of riding a bicycle when watching it again is a phenomenally simple, and at the same time corresponding metaphor of any totalitarianism for me. Without the peddling man who seemingly has no influence on what is happening behind him, the illusion would not be perfect. Protector is a film that for years I have been longing for - mature, reflective, and it is free of Czech nonsense and stagnation. I forgive the mistakes. Love is blind. (16.09.2009)

I’d give it 7/10, but I don’t feel at all like rounding up this time. Visually, this is an exceptionally beautiful film, the performances are flawless and so is the direction, but it lacks pace in a terrible way. Yes, it’s boring! I liked Normal a lot more than this tarted-up romance, and I’m also not really sure what it is (primarily) about… (12.12.2009)

A beautiful and incredibly original movie. Who would have thought that we can shoot an interwar-era movie in such an original way in our small country… Marek Najbrt came up with an innovative directing, Miloslav Holman came up with an innovative camerawork and the band Midi Lidi along with Petr Marek put together a soundtrack that will probably lure me in for a listen for the rest of my life. And, of course, I can’t forget to mention Tuček, Najbrt a Geisler who wrote a perfectly ingenious script, and also the acting performances of the actors and actresses like Jana Plodková and Marek Daniel. Not only is Protector, without a doubt, a job well-done, but it might also be one of the most original movies that our little country had the honor to film. I congratulate and thank the creators for this grand movie experience. (17.07.2015)

I have been complaining for a long time that Czech cinema has been avoiding letting skeletons out of the closet of local history, while our German neighbors have been tackling one historical blot after another. Plus, they almost always do this in an unforgettable way. And so I am really extremely grateful that somebody here has tried at last. That it remained just an attempt is another matter... It was clearly lacking any dramatic tension. Tension that was present in The Ear. Cut deep and not just skate about on the surface. Even so, this is a sufficiently high quality picture (the scenes with the bicycles, the scenes with the photo-shoot!) that withstands, despite its shortcomings. P.S.: The poster only makes sense with the opening line, which, while being original, I would say is a little counterproductive. And also I wonder whether the similarity of the story with the fates of Čeněk Šlégl was merely incidental or not. (24.09.2009)