Bibliothèque Pascal
Reżyseria:
Szabolcs HajduScenariusz:
Szabolcs HajduZdjęcia:
András NagyObsada:
Orsolya Török-Illyés, Andi Vasluianu, Oana Pellea, Răzvan Vasilescu, Gheorghe Dinica, Tibor Pálffy, Ion Sapdaru, Orion Radies, József Pacskovszky (więcej)Opisy(1)
Young and beautiful Mona (Orsolya Torok-Illyes), scraping a scant living for herself and her little daughter (Lujza Hajdu), is duped into accompanying her father (Razvan Vasilescu) as he travels from Transylvania to Germany for life-saving surgery. Leaving her daughter with a reluctant aunt Rodica (Oana Pellea), Mona sets off on a journey that will take her to the shadowy world of sexual slavery, to Bibliothèque Pascal - a debauched brothel where prostitutes are forced to act the parts of literary characters – characters who don’t always survive past the end of their dialogue - a world where anyone from the most respectable to the most depraved can fulfill their fantasy, and where fairytales can come true if you can afford the price. (oficjalny tekst dystrybutora)
(więcej)Recenzje (2)
Bibliotheque Pascal could be anything. A drama of a mother trying to find her way back to her child, a crazy surrealist game, a poetic comedy with fantastic elements, a crime story, or an erotic film about the bizarre world of sexual fetishism. It has the potential for many things and raises many expectations. However, the film fails to fulfill them. In the end, it is just a screenplay that is not fully developed, an interesting festival trick that shows how wide it can spread across genres. It resembles a billiard ball that innocently bounces off the edge of the table several times and eventually rests in the middle without energy, without successfully pocketing the ball. It is capable of appealing mainly to film fans for whom it is most important to distinguish themselves from mainstream audiences and to discover and decipher messages that are inaccessible to ordinary mortals. It is a strange film that sends a signal about its creator's ambitions more than anything else. If the only explanation for what is seen is the desire to see oneself in a better light and to excuse one's mistakes, then I have already seen much better films and better scripts on similar themes. Overall impression: 45%.
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An artistically crafted film at first glance, aiming to enchant with its form and, among other things, also to evoke a sense of depression in the viewer about what they're actually watching. It's an allegory for the conditions in Eastern and Western Europe, showing that finding a better place to live doesn't necessarily mean starting to live better. The form didn't enchant me, and the synopsis intrigued me more than the outcome.
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