Tsuitô no zawameki

A depressing embrace of dirt and death; blood, soil, sewage, and saliva flooding people who are not alive, but plastic or concrete that replaces them right after their death, but mostly - the terrifying moment when the fulfillment of desire turns into death, and what is supposed to be the fulfillment of life energy turns into an inorganic object or decaying remnant of a never fulfilled life. The fate of distorted people (murderers, disabled, homeless) who are unable to live normally, desire, and hold onto everything. In an attempt to grasp the object of desire and thus the desire for life, they turn the same object into a dead relic, they find themselves in filth, and they become even bigger monsters in the midst of society. The unattainable ideal of a perfect but dead virgin revived by the death of the living, materialized in the storyline of a young couple, in which the girl resembles her future before she dies due to her (natural) desire for the boy, whose blood spreads on the concrete, and the boy is then forced to bury her body in the filth of the world, which sticks to him indelibly. A plastic virgin as a substitute for dead love; a pregnant virgin as a mockery of the dwarf who will never know desire; a dead virgin as a substitute for all people unsuccessful in their pursuit of desire; a revived fruit of the virgin as a mockery of everyone who thinks that life is beautiful and possible. The challenging fate of humanity, longing for life, and finding only dead things or death itself. /// Macui's film and the excellent camera are incredibly intuitive, suggestive, and sovereign. (30.10.2015)