Tonkei shinjû

Here, the surrealism of the defective humanity in a strongly underground distorted guise paves the way for Noisy Requiem, in which a person also transforms into a solitary monster: inhumanity in the classic form of an animal and in the form of a classic metaphor and absolutely unclassical form makes Pig-Chicken Suicide a study of modern alienation. The community of obscure characters, taking on the form of the animals they keep, the animals that all other people need, the animals that the first ones transform into and receive the contempt and exclusion of all others who are already that filthy beast. A lonely wandering child who takes pleasure in death and indifference: a child conceived from the sexual encounter of masturbating characters, a child of its time. Depression, expression, and discontinuous cuts throwing the materiality of blood and vapors into the core of images of human ruins. (12.06.2016)