Reżyseria:
Guillaume CanetZdjęcia:
Christophe OffensteinObsada:
Clive Owen, Billy Crudup, Mila Kunis, Marion Cotillard, Zoe Saldana, James Caan, Matthias Schoenaerts, Noah Emmerich, Lili Taylor, Domenick Lombardozzi (więcej)VOD (1)
Opisy(1)
Chris (Clive Owen) wychodzi z więzienia po odsiedzeniu wieloletniego wyroku. Czeka na niego Frank (Billy Crudup), młodszy brat, który jest dobrze zapowiadającym się gliniarzem. Frank, mimo wielu wątpliwości, daje bratu kolejną szansę. Pomaga mu w znalezieniu pracy i kontakcie z dziećmi i byłą żoną (Marion Cotillard). Kiedy Chris poznaje Natalie (Mila Kunis), pojawia się nadzieja na nowy początek. Frank spotyka się z Vanessą (Zoe Saldana), byłą dziewczynę zabójcy na usługach mafii. Choć braci zawsze wiele dzieliło, więzy krwi są dla nich najważniejsze. Czy pewnego dnia będą musieli wystąpić przeciwko sobie? (Vue)
(więcej)Materiały wideo (11)
Recenzje (4)
A little too stretched out criminal drama, where it's not so much about the crime as it is about the relationships between the characters. Clive Owen has taken the bad boy path and he's doing well, I adore Marion Cotillard, but even she can't save it. Mila Kunis is just here for the looks. For such a running time, this is a bit unbearable, but at least the ending manages to intrigue the viewer a little.
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Sometimes, good actors meet up in a very, very mediocre movie. It’s not a rule, but that’s what makes the shock bigger. Who would have thought that a film featuring the amazing Mila Kunis and Marion Cottillard can be so horribly boring that it makes painting the fence look like pure ecstasy?
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The opening scene already won me over with its uncompromising roughness and swing. And when the brilliant Clive Owen appeared, who has perhaps never acted better (you can't tell from the photos, you have to see his perfect transformation into a silent criminal), the decision was made. Blood Ties is a great film with a slow-moving but certainly not boring or uninteresting story, great actors and a great atmosphere.
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We have content like this a hundred times, but the form! The dirty and bleak feeling of a sweaty gym corner is palpable at times, as in Million Dollar Baby, but it regularly changes into beautiful panoramas and excellent, period-coordinated exteriors/interiors, as in American Gangster, with the expression means being somewhere in between. Sufficiently tangible, raw, austere, and down-to-earth, while not too grainy, shaky, or distracting in any way. In terms of acting, it is very strong not only because of the names in the cast. Emotionally layered just right.
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