Reżyseria:
Antoine FuquaScenariusz:
Richard WenkZdjęcia:
Mauro FioreMuzyka:
Harry Gregson-WilliamsObsada:
Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour, Haley Bennett, Bill Pullman, Melissa Leo, David Meunier, Alex Veadov (więcej)VOD (4)
Opisy(1)
McCall (Denzel Washington) zostawił swoją tajemniczą przeszłość daleko za sobą i jest gotowy wieść nowe, spokojne życie. Lecz kiedy spotyka Teri (Chloë Moretz), młodą dziewczynę kontrolowaną przez bezwzględnych rosyjskich gangsterów, nie umie stać bezczynnie. Uzbrojony w swoje ukryte umiejętności, dzięki którym bez lęku staje twarzą w twarz ze wszystkimi, którzy zagrażają słabszym i bezbronnym, McCall porzuca swoją dobrowolną emeryturę i daje dojść do głosu swemu uśpionemu pragnieniu sprawiedliwości. Jeśli ktoś ma problem, gdy wszystko sprzysięga się przeciw i nie ma gdzie uciec, pomoże McCall. On jest bez litości. (Imperial Cinepix)
(więcej)Materiały wideo (18)
Recenzje (10)
Denzel and dangerous DIY techniques, or also the prequel to Man on Fire, whose only fault is that Fuqua is not Scott. Thus, the slow building of the plot is rather annoyingly long (out of 135 minutes, about 20 minutes are horrendous) and the length of the slow-motion sequences is long beyond absurd. 3 ½.
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A commercial for essential DIY tools in a well-fitting outfit by Antoine Fuqua. Denzel is cool again, even though he’s getting on for sixty, he’s still got it. Csokas is unusually precise and makes a respectable rival. The way the atmosphere is painted is textbook standard. The darkness is added to by the endeavor to punish the world. The intro is a little slow, but the ending good and bloody. And tracking down anything imaginable is super. Now, off to Walmart to buy yourself a hammer, a saw or a rivet gun.
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The Equalizer with Denzel Washington could be pretty much compared to Shooter with Mark Wahlberg, which was also shot by Fuqua, years ago. As far as the action goes, the scenes are very well-done, but the movie has a couple of mediocre, uninteresting and useless moments; it could’ve been 30 minutes shorter and I wouldn’t mind at all.
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Slower but all the more focused, subtly escalating and with a perfect performance by the main villain. Washington is approaching the position of an A-list Seagal and soon we’ll see a halo lighting up over his head. I was delighted with the character balance between him and Csokas, the dialogue, Bill Pullman’s small role, more blood than we are used to in Washington movies, and the closing music by Moby. Fuqua is back!
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The Punisher: Hornbach Edition. The better the first half is, which holds back, relies on the characters and has a nice old-school trace, the worse the second is, because it ruins everything. In the second half, Denzel is just an invincible chimera that takes himself too seriously and that makes him an uninteresting character. Literally, the nail in the coffin is footage when, instead of uncompromising gradation, it fades away because of so many endings that even the Return of the King would get up and go home.
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