Sezon na zabijanie

  • Belgia Killing Season
Zwiastun 2
Thriller / Dramat / Sensacyjny
Stany Zjednoczone / Belgia / Bułgaria, 2013, 91 min

Opisy(1)

Benjamin Ford (Robert De Niro), weteran wojny w Bośni zaszył się samotnie w górach, by uciec przed bolesnymi wspomnieniami. Pewnego dnia do jego domku trafia turysta - Emil Kovac (John Travolta). Okazuje się, że jest on emerytowanym żołnierzem z Serbii szukającym okazji do wyrównania rachunków z czasów wojny. Wśród dzikiej, górskiej przyrody rozpoczyna się pojedynek - prywatna wojna między dwoma weteranami. (Cineman)

(więcej)

Materiały wideo (3)

Zwiastun 2

Recenzje (3)

D.Moore 

wszystkie recenzje użytkownika

angielski A decent film - fast, clear, it says what it wants to say (and the result probably surprises no one), and that's all there is to it. Not that I need more. The most interesting thing for me is that I hadn't liked anything by Mark Steven Johnson, and suddenly there's Killing Season, which had me interested from start to finish. Of course, it's a credit to the two main actors, but the direction also has more than just good moments (De Niro's morning routine accompanied by Johnny Cash, then the scene with the wine or the one with the salted lemon juice), and it all takes place in the beautiful countryside, which is also a bonus. If Travolta's character hadn't acted like a complete jerk at the end, it might have been even better. ()

POMO 

wszystkie recenzje użytkownika

angielski As if a Balkan high school student, obsessed with the first Rambo, had fulfilled his dream and cast two Hollywood stars in his own, ultra-serious interpretation of the shadows of his country’s history. The result is a dramaturgically primitive, technically impossible and often unwittingly ridiculous film with the original message that war is bad. Pure B-movie material. ()

Reklama

Kaka 

wszystkie recenzje użytkownika

angielski A small chamber survival movie like Rambo, Seraphim Falls, or The Hunted. Unfortunately, it also takes the worst the last one, a dumb and unbelievable probe into the war in Bosnia, from which the whole script draws and where the supposed conceptual transcendence should be visible, but simply isn't. If it was purely about raw survival, it would be one better, because both De Niro and Travolta are great. ()

Galeria (27)