Enemy
Reżyseria:
Denis VilleneuveScenariusz:
Javier GullónZdjęcia:
Nicolas BolducObsada:
Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace, Tim Post, Kedar Brown, Stephen R. Hart, Jane Moffat, Paul StephenVOD (1)
Opisy(1)
Sterylne mieszkanie, beznamiętny seks ze swoją dziewczyną, wyuczony na pamięć wykład z historii totalitaryzmu - tak wygląda życie Adama (Jake Gyllenhaal). Pełne rutyny, monotonne i nudne. Pewnego dnia ogląda polecony mu przez znajomego film, w którym zauważa znajomą twarz. Swoją własną. Podobieństwo jest tak uderzające, że Adam postanawia dowiedzieć się czegoś więcej o identycznie wyglądającym mężczyźnie. Anthony (Jake Gyllenhaal), aktor z filmu, poza fizycznym podobieństwem, okazuje się być ucieleśnieniem wszystkich najgłębiej skrywanych pragnień Adama - jego lepszą wersją. Halucynacja? Wyrafinowana pułapka? Osobliwy zbieg okoliczności? A może alternatywny wariant losu? (M2 Films)
(więcej)Materiały wideo (2)
Recenzje (8)
After I saw Sicario, I started believing that Denis Villeneuve was a genius among contemporary directors. So, when his movie Enemy, which received mixed reviews, was said to appear on TV, I didn’t hesitate a single moment. The fuckup is that when I was watching it for the first time, I totally dozed off and I had to catch the rest the next day. Enemy is no simple movie. And the first 30 minutes even more so. At first sight, nothing seems to be happening. After watching the final scene, however, you will feel as if everything happened in it because you won’t understand anything in the movie at all. Generally speaking, however, I think that this might be the worst movie with a deranged character, who on top of everything suffers from a split personality. Such stories rarely disappoint, but this one disappointed me quite a bit.
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An intimate, also very abstract movie told in hints. Villeneuve is doing what he does well and leads the viewer through an industrial city to a room where somebody is taking a bath in the dark. The door opens, he takes you inside and then disappears, leaving you there with all your questions and fears... time to die? Gyllenhaal 1 awesome, Gyllenhaal 2 a real swine. Chaos is order yet undeciphered.
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A formally captivating film with brutal yellow camera filter, lots of industrial shots, a properly suffocating atmosphere and ambient music: psychedelic like crazy, or Villeneuve showing what his greatest asset is. I understood the content, but not the spider metaphors escaped me. The attempt to be the second Lynch seems unnecessary to me; I actually liked the more classical Prisoners more, where the director played similarly with the camera, the dark atmosphere, and amazingly stylized music, but it was more emotional, less of a mindfuck, and got under my skin very well.
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Enemy put me in a mental trance that only Shutter Island, Femme Fatale and the best David Lynch movies have ever given me. This captivating and chilling vision from another world hit me right in the heart. Thank you, Mr. Villeneuve.
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I felt downright disappointed immediately after the screening. Unlike other films with unsatisfactory and unclear endings, Enemy woke in me a desire to know what is really hiding in the back. And the more I think back about it, the better I find it. In any case, it’s been long since a film messed with my head so much.
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