Reżyseria:
Hossein AminiScenariusz:
Hossein AminiZdjęcia:
Marcel ZyskindMuzyka:
Alberto IglesiasObsada:
Oscar Isaac, Viggo Mortensen, Kirsten Dunst, Daisy Bevan, David Warshofsky, Yiğit Özşener, Okan Avcı, Mehmet Esen, Stella Fyrogeni, Kosta Kortidis (więcej)VOD (1)
Opisy(1)
Charyzmatyczny i elegancki Chester MacFarland (Viggo Mortensen) oraz jego zjawiskowa i uwodzicielska żona Colette (Kirsten Dunst) podróżują po Europie. W jednym z ekskluzywnych hoteli zwracają na siebie uwagę przewodnika wycieczek, błyskotliwego Rydala (Oscar Isaac). Skuszony olśniewającą urodą Colette oraz bogactwem i wytwornością Chestera, Rydal bez wahania przyjmuje od amerykańskiej pary zaproszenie na kolację. Nie wie, że to początek niebezpiecznej intrygi. Pomiędzy trójką bohaterów rozpocznie się gra, z której zwycięsko wyjdzie ten, kto wyprzedzi ruchy przeciwnika. (Vue)
(więcej)Recenzje (2)
At first I gave it four stars because I loved the retro atmosphere of sunny Greece, but the blandness of the film manifested itself after a couple of days and I remember almost nothing about it, with the exception of those beautiful Greek locations, of course.
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I was very doubtful that I could appreciate a film based on Patricia Highsmith’s book set in Greece in 1962. My previous experience with films like Purple Noon or Ghost of Love with Alain and Romy was not very good. I had no desire to read those books, preferably in the original languages. But all my life I have had a fondness for the face of Kirsten Dunst, who seems to be only at the beginning of her career. Even though she's already given us so much joy. The beautiful, sultry atmosphere of sunny Greece seemed to inspire us only to watch an unclassifiable married couple from the so-called better society lazily strolling around the sights. She's very glamorous in unbecoming costumes, while he's worked very hard just to cover her with luxury, when suddenly they meet a little con man... The performances are superb, the atmosphere matches the lazy sunny day and the sights are of course beautiful. I'm glad I gave The Two Faces of January a chance.
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