Sono otoko, kjóbó ni cuki

Azuma is a cop who plays by his own rules: He batters suspects, beats confessions from criminals, and plants evidence. He's a vigilante force the department quietly supports as long as he gets results, but when a volatile drug case results in the death of a colleague, the hair-trigger cop goes rogue as he matches wits with an equally impulsive assassin. Kitano's big teddy bear eyes and soft features maintain a calm, almost bemused expression even in his most violent moments: a Zen "Dirty" Harry with a deadpan sense of humor. For a first-time director, Kitano displays astonishing cinematic control, creating a style of long takes and serene tranquility shattered by startling explosions of gunfire and abrupt blows. It's a violent world in which adolescents attack beggars and grade-school kids pelt bystanders with garbage and insults, but Kitano also shows a tender, caring side ultimately swallowed by the unleashed anger. (oficjalny tekst dystrybutora)