Reżyseria:
Neill BlomkampZdjęcia:
Trent OpalochMuzyka:
Hans ZimmerObsada:
Sharlto Copley, Dev Patel, Watkin Tudor Jones, Yo-Landi Visser, Jose Pablo Cantillo, Hugh Jackman, Sigourney Weaver, Brandon Auret, Johnny Selema (więcej)VOD (3)
Opisy(1)
Niedaleka przyszłość. Przestępczość jest kontrolowana przez policyjne roboty do zadań specjalnych, wykorzystywane do walki z gangsterami i do tłumienia zamieszek. Jeden z takich robotów, Chappie, zostaje skradziony, przeprogramowany i obdarzony zdolnością samodzielnego myślenia i czucia emocji. Potężni tego świata widzą w Chappiem zagrożenie dla porządku i dla całej ludzkości. Nie cofną się przed niczym, by utrzymać status quo i być pewnym, że Chappie jest ostatnim przedstawicielem swego rodzaju. (Imperial Cinepix)
(więcej)Materiały wideo (8)
Recenzje (14)
Chappie is a dramaturgically failed hybrid of Mad Max, Robocop and Short Circuit, with the worst casting disaster in many years (Hugh Jackman). All of the characters are totally unbelievable, regardless of who plays them. And that includes the motivation and actions of the robot Chappie. Neill Blomkamp had an top-tier budget, technology and actors, but his directing skills here are at the level of the guys from The Asylum.
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The anarchic visual firepower, which suited Blomkamp more than I was reluctant to believe after all the trailers, is carried primarily by Opaloch's eccentric cinematography, which sells the wannabe documentary style as well as few other films, and by the bizarre cast starting with Die Antwoord and ending with Jackman's hairstyle. Charlto Copley milks tears from only doing the audio. Elysium is forgiven. Even with the dramaturgical leash tightened very short, even Alien could have succeeded.
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Blomkamp the director trying hard to compensate for the incompetence of Blomkamp the screenwriter. Chappie is nice to look at, it has some good moments, but when you start thinking about it… :-( When you take the stories of each of the characters away from the plot, their behaviour is well… a stupidity race with a photo finish. Every single one of the blokes in there do the best they can to excel in this discipline.
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Why? Because Die Antwoord, that’s why. Throw in a bit of wacky comedy, a bit of fatalistic sci-fi drama, add a dash of Deus Ex Machina and a few ideas from The Matrix on top, season it with a pinch of clichés, stir it up and you have a fun, inconsistent mashup of genres that one moment is laugh-out-loud hilarious and the next is naturalistically ripping your body in half. Blomkamp is a misunderstood filmmaker doing things his own way, the antithesis of the California dream factory of today. And that’s good. And one thing is certain: Die Antwoord are aliens whose cute non-acting is amusing. Although I believe those two didn't have to play much, they're fucked up in real life añready :o)
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Neill Blomkamp lived up to his standard and finally added a static camera, which makes Chappie his best movie in terms of technologies. The fact that he cast the gang from the band Die Antwoord into some of the leading roles is also a big plus for me. I cannot think of anybody else from Johannesburg who could play bigger gangsters and creeps than Yolandi and Ninja. They are so extremely crazy, rotten and their music is so aggressive that nothing could fit into this movie better. I am a bit surprised that the director once again portrays Johannesburg as the worst place to inhabit, where not even the craziest Scandinavian murderer would want to live, as in Scandinavia, they treat murderers in prisons better than what the inhabitants of this town get on a daily basis. That is the only thing that bothered me about this film and the only reason why I didn’t rate it with five stars. Watching this city full of cement lots overgrown with thicket, teeming with human filth, is not really the peace and quiet my brain needs. Everything else was almost flawless.
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