Keoma il vendicatore
Reżyseria:
Enzo G. CastellariZdjęcia:
Aiace ParolinObsada:
Franco Nero, William Berger, Olga Karlatos, Orso Maria Guerrini, Woody Strode, Antonio Marsina, Joshua Sinclair, Victoria Zinny, Alfio Caltabiano (więcej)Opisy(1)
Po zakończonej wojnie secesyjnej półkrwi Indianin Keoma Shannon (Franco Nero) wraca w rodzinne strony, ratując po drodze z opresji ciężarną kobietę oskarżoną przez gang Caldwella (Donald O'Brien) o roznoszenie zarazy. Dawny sługa, a zarazem przyjaciel, George (Woody Strode), który zyskał status wolnego człowieka, informuje Keomę, że miasto jest pod władaniem Caldwella i jego ludzi. Mężczyźni blokują dostawy leków i żywności, a mieszkańców dotkniętych zarazą izolują w starej kopalni. Keoma postanawia pomóc mieszkańcom w odzyskaniu utraconej wolności i godności. (FlixClassic)
(więcej)Recenzje (2)
I haven't been as impressed with a spaghetti western as Desperado in a long time. And it's all the more interesting because (as far as I know) it has nothing at all to do with Sergio Leone or Ennio Morricone. Yet it dazzles with everything it has to offer. At first glance a simple, yet brilliantly delivered and ultimately dense fate story full of excellent characters, stunning direction to match Leone, catchy music, the actors... Like I said, everything.
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One of the most visually impressive (late) spaghetti westerns, with polished widescreen compositions that even Leone himself would envy. A pleasantly atypical western with avant-garde editing (ingeniously combining past and present), an almost post-apocalyptic atmosphere of a dusty city decimated by plague (the night scenes lit by torches are reminiscent of the Middle Ages), religious symbolism and a charismatic Franco Nero with the visage of Jesus. It's a hodgepodge of everything from Shakespeare to Bergman to Peckinpah, but surprisingly it works as a whole. The only thing that throws it off is the bizarre soundtrack, with its whiny ballad songs in which two singers comment directly on what's happening in the film.
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