Homme en mouvement, 2012

Inspired by the analysis of movement in the studies of Eadweard Muybridge and Etienne-Jules Marey, the filmmakers depict the movement of a person going upstairs – except that they use a mirror effect to give the images a new sense of time existing outside of reality, and they replace an analysis of motion with a construction of infinite reproduction.
The original chronophotography enabled the depiction of the individual stages of motion through a series of photographs. In the 1870s, such photographs were taken using a flash exposure of a thousandth of a second. (Ji.hlava International Documentary Film Festival)