Reżyseria:
Tomáš MagnusekScenariusz:
Jan JurekZdjęcia:
Tomáš DrdáckýObsada:
Jiří Lábus, Martin Dejdar, Eva Vejmělková, Tomáš Magnusek, Martin Huba, Ljuba Krbová, Emma Černá, Matěj Dejdar, Jiří Hromada, Lenka Termerová, Pavel Nový (więcej)Opisy(1)
Based on actual events, this psychological chamber drama plays out against the picturesque backdrop of northeast Bohemia’s Orlické Mountains. It centres on the relationship between mentally disabled Emil Mácha (Jiří Lábus) and his nephew (Martin Dejdar). Joined by fate, at least for a time, they gradually develop a bond that demonstrates the strength of friendship. But this powerful bond is tested by those who would, for various reasons, divide them. This is a film in part about a confrontation between two noble-minded protagonists and those who have long lost any semblance of nobility, driven instead by ruthless selfishness. A film about how even a hard life can be made harder still. (Art Film Fest)
(więcej)Recenzje (2)
I really like how Magnusek is learning as he goes. The man whose debut Pamětnice aroused absurdly negative emotions has done a bit better this time. Magnusek's know-how, which richly compensates for the lack of education in the field, amounts to work with Czech actors of all generations who enjoy his filming process. In return, he gives them opportunities that can mean a lot, whether it's one last experience in front of the camera, or they are emboldened for more work. Magnusek spent a decade gaining experience as a producer, writer, actor and director. He has tried to make his own films, starred in professional films of various qualities, and he is also not afraid of anything. If every amateur going into his first feature film blind could do all this, there would be nothing to lament. Of course, it's never ideal if an individual is confident enough to do all the major work on a film and still run off to act in front of the camera, but Magnusek is gradually learning and the results are more and more evident with each project. Boys from the Mountains is a gift for Dejdar and Lábus, and although it's not quite there yet, it's not a loss under any circumstances. And even though Dejdar and Lábus can play essentially any role if they get the space, Magnusek is able to cast even the smallest roles with actors of no lesser quality. Therefore, some of the hiccups that occur here and there are really not a problem at all.
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At first, I was surprised, because it seemed as if Tomáš Magnusek had decided to shoot an actual drama. From the moment when it came to the “power games” and intrigue, I clearly recognized the director's handwriting. All the characters suddenly became distinctly black and white, the plot was totally predictable, and it made me wonder why Tomáš Magnusek didn’t go into politics, because this was a perfect example of populism.
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