Tocuzen desuga, ašita kekkon šimasu

As for the acting, I was very pleasantly surprised at how Flumpol member Yamamura Ryuta fared, considering that it was his first role. Whoever did the casting did not go astray. Not even with Mariya, because she is really growing as an actress. The same goes for the rest of the cast, in my opinion everyone was very well chosen, they performed their roles with grace and didn't stumble. Maybe the director had a hand in this as well. What I really liked about the series was that it had kind of gone its own way and hadn't gotten bogged down with stereotypes. Maybe just a little bit, but very naturally. And then... it fell right into them. Fortunately, the two main characters aren't stupid and you have to like them. The dialogue was good, the various relationships kept you interested, the way they were set up. For a long time, I believed this would be a 4-star series, but oh that ending. Not that it was explicitly bad, but it was just that what was going on was drawn out, stretched out over several episodes, only to be sort of resolved in the last one, and I don't know why; the whole process left a bad taste in my mouth. A series with a lot of potential killed by the biggest stereotype in the celebrity vs. ordinary mortal genre. Still, I definitely recommend it, because it's ultimately a pleasant respite; the Japanese are somehow working and throwing nothing but romances into the ether, and some even manage to "subvert the myths" – cohabitation between a man and a woman only after marriage! A better 3 stars. (19.04.2017)