Süden

The most beautiful thing in Argentina are the people, says Mauricio Kagel-avant-garde composer, theorist of contemporary music, and maker of instrumental theater-after a moving visit to the country in 2007. His voice guides us through Gaston Solnicki's film documenting his return, after more than 40 years abroad, to his native Buenos Aires for a festival of his work organized by the Teatro Colon. We look on as the young musicians from the Ensamble Süden prepare to perform his legendary works in concert. In addition to watching them conjure up sound and create harmony within the ensemble, we see them engaged in completely mundane activities, like buying croissants at a bakery or a mezzo-soprano's visit to the dentist. Working with Kagel turns out to be impalpably magical, an intellectual exercise, and a touching interpersonal experience. Süden, which delivers some of the last recordings of this great experimental musician, who died a year later, is a tribute to his methods, his breadth, and his human warmth. (New Horizons International Film Festival)