A Simple Favor
Reżyseria:
Paul FeigScenariusz:
Jessica SharzerZdjęcia:
John SchwartzmanMuzyka:
Theodore ShapiroObsada:
Anna Kendrick, Blake Lively, Henry Golding, Rupert Friend, Linda Cardellini, Andrew Rannells, Kelly McCormack, Bashir Salahuddin, Melissa O'Neil (więcej)Opisy(1)
Stephanie jest uroczą, ale dość naiwną młodą mamą, dla której szczytem występku i ryzykanctwa jest przejście przez ulicę na czerwonym świetle. Emily zaś to piękna wyzwolona kobieta sukcesu, która trzyma życie za rogi. Panie poznają się w szkole swoich synów i natychmiast się zaprzyjaźniają. Przyjaciółki muszą się wspierać, więc Stephanie zgadza się pewnego dnia odebrać ze szkoły synka Emily. Byłaby to jedynie zwyczajna przysługa, gdyby nie fakt, że Emily nie pojawia się, by odebrać dziecko. I to przez kilka kolejnych dni. Dobroduszna Stephanie postanawia pomóc przystojnemu mężowi Emily w poszukiwaniach żony. Wkrótce okaże się, jak mało wiedziała o swojej najlepszej przyjaciółce. (Monolith)
(więcej)Recenzje (8)
An inoffensive female thriller from the hard-working Paul Feig, but unfortunately for me a rip-off of the much better Gone Girl. Anna Kendrick is such a cute dork in almost every movie and I don’t mind, opposite her is Blake Lively playing a cynical bitch here and again she is insanely hot. The film is well paced, offers the occasional humorous interlude and is suspenseful in places. It also offers a few twists, but they won't surprise those who have seen Gone Girl. Too bad it was too predictable for me and it didn't offer anything violent or subversive, but I suspect it is aimed primarily at a female audience, so that's fine. As a light thriller one-shot it works. 65%
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A gripping variation on a clever female thriller, which is not lacking in a nice pile of surprises. Behind almost every completed subchapter there is a hidden hook that pulls the viewer further in, towards another fitting twist or genre change. This is mostly thanks to Anna Kendrick, who after years finally shines to the fullest in a role written for her in almost every one of those genres, even though the detective story one, which it switches into completely at the start of the third act, is definitely the weakest. As a satire, a thriller, a tale of hinted shadows from the past, and last but not least, in terms of sexiness, Kindness surpasses the highly acclaimed Gone Girl. Unlike that film, it is not afraid to be surprising and visually alive.
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I consider movies with Blake Lively my private guilty pleasures. I'll check out Darcey Bell's book, but I definitely wouldn't be interested in a thriller like this without the movie. However, as a spectacle based on the contrasting talents of Blake and Anna Kendrick, it was a treat. A treat for the eyes.
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A non-alcoholic version of Gone Girl for a less demanding or, if you want, weekend audience. The lightness and briskness is taken care of by the geeky Anna Kendrick and the sexy Blake Lively. Both are excellent, it's just the script and the plot that are questionable. That said, as a light crime-comedy it’s still bearable.
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It's a shame the film wasn't a bit more comedic and that the humor started to veer away from seriousness and attempts at suspense as time went on, because both actresses are amazing and the potential was great. Given that Paul Feig decided to use (almost) only French songs, he might as well have made something in the style of French comedies.
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Sometimes things just work out. The sweetly absent-minded Anna, the incredibly attractive fox Blake, the accurately underrated curiosity, the successful balance between serious and purely entertaining intrigue, and a good mood that helped me ignore the shaky motifs and enjoy the story. Simple Favor relies on the contrast of the two female leads, which becomes blurred under the weight of the events, while the script humorously plays with the rejoinders and the findings of the beginning and doesn’t stop until the last scene, which borders comedic insanity, but completes that game mode more or less successfully. Please, more of Anna and Blake in the cinema, and it could be with fewer clothes on. 75%
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Blake Lively is always nice to look at, so I wasn't worried about the aesthetic aspect of the film. It soon became clear that the script wouldn't be a disappointment either. Anna Kendrick played another one of those goofy characters that suit her so well. Even though I didn't exactly roll on the floor laughing, I had a very good time. When it comes to thrillers, I’m used to the fact that there is a twist at the end. Here, there was more than just one and they all worked out really well.
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Of particular note is that A Simple Favor teeters on the edge of serious thriller while not shying away from using a self-parodying approach in some passages. The whole thing just doesn't take itself entirely seriously, which is appealing and gives the whole film a nice touch of light playfulness. On the other hand, the thriller storyline with its slightly mysterious elements works quite reliably in its right, even if it is a bit predictable (which I personally didn't mind too much, because this simply isn't a hardcore thriller like Gone Girl). As a result, A Simple Favor is a viewer-friendly and, given the central theme, quite rewarding affair. Thumbs up for the approach taken, the excellent Anna Kendrick, and the unprecedentedly gorgeous Blake Lively (she doesn't look as good in any other film as she does here). "Brotherfucker!"
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