Arktyka

I didn't realize what I was getting myself into until the moment that endless white landscape spread out before me. This couldn't be more monotonous, I thought. But after a few minutes, when I was wondering whether this role of his was outright stupidity, Mads decided not to leave it at that and started fighting with the snow. And suddenly I forgot that there's nothing around, suddenly I was rooting for him and living through every move he made. I wouldn't take that on with an average actor. I'd do it again with Mads. A strong 3 stars. (23.10.2021)

A melancholic journey undertaken by two castaways across a snowbound continent. Everything relies entirely on Mikelsen, who drags the movie along as doggedly as he does the sledge. This movie about a man pitted against nature, which cheats whenever it can, is bleak, but it has surprises in store. Unfortunately the directing has no surprises, which is a bit of a shame. Penna takes no chances and leaves everything to one excellent Danish actor and Icelandic exteriors. It’ll be alright. (06.04.2019)

Europe's best actor Mads Mikkelsen fights for his life in the cold Antarctic in this new adventure survival drama. Fans of survival dramas will surely enjoy this one, but the film is too minimalistic for my taste, and there are no surprises or interesting scenes. Mads barely speaks, so the only thing to praise is his skill and creativity to survive. It's believably shot and everything makes sense, but the film lacks drive and tension, unfortunately. There is indeed a polar bear, but compared to The Revenant, it's not even worth mentioning. For fans of Mads, nature and survival films a must see, the rest can ignore it as they won't miss much. 60% (16.04.2019)

After a slow start, Arctic takes on a more dramatic character due to the hopelessness of the situation depicted, without resorting to thriller clichés, while retaining the parameters of a minimalist, believable survival drama worthy of the participation of my current favorite European actor. But don’t expect anything revolutionary, such as Boyle’s 127 Hours. [Cannes] (12.05.2018)

Or when the label "minimalist, non-literal, cold, detached procedural" for a survival genre film is taken literally. Like really literally. And that’s a good thing. Speechless, blinkered, detached, pragmatic and bereft of hope and the will to live, Mikkelsen pulls it off reliably together with the impressively chilling atmosphere of endless snowdrifts, despite the somewhat stilted pacing and setbacks during all that tedious step-breathe-step trudging. (16.05.2021)