Reżyseria:
Robert BentonScenariusz:
Robert BentonZdjęcia:
Néstor AlmendrosObsada:
Dustin Hoffman, Meryl Streep, Jane Alexander, Justin Henry, Howard Duff, George Coe, JoBeth Williams, Bill Moor, Jack Ramage, Howland Chamberlain (więcej)VOD (1)
Opisy(1)
Ted Kramer jest mężem i ojcem, całkowicie pochłoniętym karierą zawodową. Jego żonę Joannę męczy taki stan rzeczy, dlatego decyduje się go porzucić. Pod opieką męża zostawia 7-letniego synka, Billy'ego. Początkowo Ted nie może odnaleźć się w nowej roli. Trudno jest mu pogodzić pracę zawodową z wychowywaniem dziecka. Jednak pomimo trudności udaje mu się zaprzyjaźnić z synem i stworzyć prawdziwy, pełen bezpieczeństwa dom. Tymczasem Joanna zmienia zdanie i chce za wszelką cenę odzyskać chłopca. Ted nie zamierza jednak rezygnować z syna. Sprawa trafia do sądu. (Loomi)
(więcej)Recenzje (6)
With the exception of one slightly exaggerated scene (when Ted and Billy are preparing breakfast for the first time, it reminded me – and I’m not joking – to the Czech film Pánská Jízda), this film is flawless. I was expecting it to be solid, but I didn’t think Kramer vs. Kramer would be so touching. 10/10
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I would say that this time the authors put together the best they could and were so full of confidence that they put the best of their time into a family drama, which ends in a trial, which is something I really hate. Luckily, the result is not so bad and that is mostly because Dustin Hoffman and Meryl Streep show their usual maximum.
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I categorically declare that this melodrama is too melodramatic and shallow at the same time, despite all the effort put into it. It does touch on the serious topic of family breakdown and conflicts over raising a child, as well as the fact that the film features the most significant actors of their generation in the main roles. However, I simply feel that it is a flat film that lacks the rawness it truly needs and is afraid to show the conflict in all its complexity and hopelessness. I know several cases where painful reality far surpassed a Hollywood script. This film manipulates the viewer's emotions skillfully and its craftsmanship cannot be denied, but it did not evoke any emotional catharsis in me. Overall impression: 65%.
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A timeless relationship drama whose ideas and expressions transcend all generations. Minimum space, maximum acting, brilliant script and unusually dynamic direction for the time. A retro version of Marriage Story, where mobile phones and computers may be missing, but the main idea and relationship problems are portrayed brilliantly.
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In the group of films that try to explore the issue of crumbling marriage from any perspective, this particular masterpiece remains unwaveringly at the top. And the proverbial medal of merit goes especially to Dustin Hoffman, who once again confirms his acting genius, and of course also to his counterpart Meryl Streep, whose performance is very intense and strong even in a small space. But the Oscar winner in a year when Coppola not only hit the movie world with his legendary and fantastic Apocalypse Now? No way! That seems to be the only blemish on the beauty of this thought-provoking dramatic tale. 85%
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Your performances as an actress are absolutely fantastic, even in the role of a child, from whom you might not expect as much compared to the big actors. But the whole trio works really well, even though Meryl Streep's character is quite easy to dislike. If it had a slightly different ending, I would give the movie 100%. This way, I have to settle for a slightly lower rating from my side. The ending just doesn't sit right with me.
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