Opisy(1)

Once, the young poet Petr Hudec has been killed in the Art Nouveau setting of the castle The World [hotel Svět]. Later, his diary is found and the brief and incoherent notes became the basis for the story of the events preceding the murder. Peter is to meet his lover Veronika in the hotel. He is accommodated in a beautiful chamber. The behaviour of the personnel, however, is rather weird, oscillating between impertinent intrusion and offensive arrogance. Following Petr's conflict with the waiter Jiří, born Count, the poet is moved to a dilapidated room. While seeking Veronika in vain, he runs to several hotel guests. The refined old lady Rosická treats him in a very intimate way. The writer Blech explains to the poet that she had lost her son long ago and now tries to find him in every young man. Petr eventually succeeds in meeting Veronika, but she is already a different person from the one he used to know. She doubts her love to him and intimately cuddles with the male members of the personnel. Petr gradually quarrels with almost everybody in the hotel. The cook reveals his homosexuality to him but then tries to strangle him, worried of the disclosure. Petr's love for Veronika turned frigid and the young man decides to leave. The last night, he is murdered by three fatal stabs. The culprit is never found. The guests say goodbye to the personnel and leave, satisfied with their sojourn. (oficjalny tekst dystrybutora)

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Recenzje (2)

D.Moore 

wszystkie recenzje użytkownika

angielski "Petr Hudec comes to the Hotel Svět to give himself to love and find death." A very bizarre but impressive film with excellent Petr Čepek and others. I probably liked the vicissitudes with ordering and serving food the most, because Jiří Kodet and Ladislav Mrkvička were perfect as grumpy waiters and if I were the main character, I probably wouldn't object to sausage instead of asparagus and asparagus for breakfast (in addition to edible parasol). Jiří Hrzán was able to bark quite well. ()

NinadeL 

wszystkie recenzje użytkownika

angielski For some unknown reason I wanted to give it a chance, but I underestimated the culmination of the Drama Club generation, Ester Krumbachová, and the interpellations of MP Prušinec. In retrospect, Josef Somr evaluates it more as a magoria than a phantas. Táňa Fischerová overdid it during the shooting with ice cream sundaes, and cinematographer Ivan Šlapeta likes to remember Tonda. And what about that gay Libíček? For all this, there’s not even that little bit of tenderness. ()

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