Muž so zajačími ušami
Muž se zaječíma ušima
Reżyseria:
Martin ŠulíkZdjęcia:
Martin ŠtrbaObsada:
Miroslav Krobot, Oldřich Kaiser, Alexandra Borbély, Táňa Pauhofová, Zuzana Kronerová, Zuzana Mauréry, Réka Dérzsi, Tomáš Turek, Vladimír Obšil (więcej)Opisy(1)
Josef jest pisarzem. Ma sześćdziesiąt lat i przekonanie, że nic go już w życiu nie zaskoczy. Oczywiście życie tylko na to czekało. I tak, dużo młodsza dziewczyna Josefa oznajmia mu, że jest w ciąży. Jego najlepszy przyjaciel próbuje popełnić samobójstwo, a człowiek z zajęczymi uszami – alter ego Josefa z jednej z jego powieści – zaczyna pojawiać się w codziennych sytuacjach. Chcąc wykorzystać szansę, jaką postawił przed nim los, Josef postanawia poślubić swoja ciężarną dziewczynę. Jednak sprawa nie jest taka prosta. Musi najpierw uporządkować wszystkie zaniedbane sprawy, z którymi do tej pory zwlekał. (Warsaw Film Festival)
(więcej)Materiały wideo (1)
Recenzje (2)
The Czech Day of the Wacko. A very well-rehearsed dig at their own nest, i.e. intellectual elitists past their zenith, with all the requisite wisdom and egotism. As in its Polish predecessor, I see my own future disaster quite presciently, because when I look into my own family and its surroundings, it is practically Krobot himself with rabbit ears. With this comes probably another problem the film will have with how it is received, which is that for most cyclists, realtors, and economists of all kinds this film will probably be completely incomprehensible, because the main character is completely outside their environment. PS: I laughed out loud in the cinema at the approval committee scene.
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The director is said to have said: "I want our movie to talk about serious things with sarcasm." If Martin Šulík really had this in mind, I feel that he really succeeded, because that is exactly how I perceive The Man with Hare Ears. This rather an odd movie, sometimes hard to grasp, for some (unknown to me) reason got under my skin. The opinions and observations of the main character Josef (in a reserved but absolutely precise performance by Miroslav Krobot) appealed to me a lot, as he takes stock of his life so far in a rather peculiar way, while getting into a number of bizarre situations. The audience's attention should also be drawn to the magnificent camerawork by Martin Štrba and the extremely impressive performance of Oldřich Kaiser in a supporting role, for which he was rightly awarded the Czech Lion. I shall say nothing more about this apart from that I'm just sure I will watch this movie again some day. (85%)
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