Peeping Tom
Reżyseria:
Michael PowellScenariusz:
Leo MarksZdjęcia:
Otto HellerMuzyka:
Brian EasdaleObsada:
Karlheinz Böhm, Moira Shearer, Anna Massey, Maxine Audley, Esmond Knight, Nigel Davenport, Keith Baxter, Roland Curram, Michael Powell (więcej)Opisy(1)
Mark Lewis jest kamerzystą w studiu filmowym. W wolnych chwilach robi "artystyczne" zdjęcia aktów, które sprzedaje pod stołem w kioskach. Ojciec Marka, znany naukowiec, poświęcił swoje życie na badanie psychologii strachu, używając własnego ciała jako królika doświadczalnego. Mark, teraz już dorosły, stał się ogarniętym obsesją strachu szalonym mordercą, który rejestruje swoje zbrodnie na taśmie filmowej. (Entclick)
(więcej)Materiały wideo (3)
Recenzje (2)
Ideally, Peeping Tom could have been a good Hitchcock, but for me it feels like a weaker De Palma. I didn’t like it at all, the immediate impression it left me with could be described as “unlikeable and unpleasant nonsense”. None of the characters behave like people, something I’m unwilling to accept, even in older films. Many older films don’t care too much about bulletproof logic (at least not as much as it is required today), but this one goes beyond the limit I’m able to tolerate. Just think about the first visit of Helen to Mark – who the hell would behave like her? Nobody! No, this is definitely not a good film.
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An interesting study of a peace-loving killer of women with a disturbed childhood who records his crimes on celluloid and plans to make an “epic film”. Peeping Tom has top-tier production values with artistic ambitions and it’s perfectly acted and filmed, but director Michael Powell focuses so much on the central character that he forgets the viewer. Suspense and shock are sadly absent from the film. Perhaps it seems so because of the time that has passed since the film was released. But considering the impact that Hitchcock’s thrillers still have on today’s viewers, that doesn’t excuse Powell.
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