Więźniowie Ghostland

(tytuł roboczy)
  • Stany Zjednoczone Prisoners of the Ghostland (więcej)
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Hero, kryminalista z burzliwą przeszłością, pewnego dnia staje przed szansą odkupienia win i odzyskania wolności. Chodzi o odnalezienie zaginionej Bernice, córki gubernatora słynącego z brutalności i despotyzmu. Aby ją odnaleźć, Hero będzie musiał zapuścić się w głąb tajemniczego Ghostland  gdzie niebezpieczeństwo czyha tu na każdym kroku. Co więcej, Hero zostaje uwięziony w skafandrze, który w razie jego samowoli lub niepowodzenia misji ulegnie samozniszczeniu. Wystarczy jeden niewłaściwy krok... (Cineman)

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Goldbeater 

wszystkie recenzje użytkownika

angielski I had high hopes for Sion Sono’s new movie; after all, he is an experienced director with a distinctive signature. The actors who also willingly bought into his vision (besides the courageous Nicolas Cage and the popular Sofia Boutella, there is also the actor and director Nick Cassavetes, who returns here after a ten-year hiatus from acting) probably told themselves the same. However, Prisoners of the Ghostland is not a well-directed movie, and in fact, comes across as lacking any director or direction at all. Also, as much as I appreciate the elaborate sets, the imaginative costumes, and the use of practical effects, when I mentally strip this movie of all the exquisite visuals, all I am left with is a cheesy and in every way moronic screenplay that gives the actors very little material to work with. If this screenplay, with the same cast of leads, had been made by, say, Rob Zombie in a redneck backwater somewhere in New Mexico, I can imagine it might have worked better under his direction. However, it just does not work like this. The whole thing is just an exercise in shooting bizarre ideas into the air and waiting to see if any of them land on fertile ground, however, eighty-five percent of them do not land, and so all one gets is an incredibly sparse, insignificant almost, viewing experience. ()

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