Biografia
Robert Rossen started his career writing socially conscious films noirs that provided implicit left-wing commentary on the anti-communist investigations taking place in Hollywood. He moved into directing in the late 1940s – his third film, All the King’s Men (1949), won the Academy Award for Best Picture – before being blacklisted for his association with the Communist Party. This decision was overturned after Rossen identified 57 current or former communists, and he successfully resumed his career.
Locarno Festival
Scenarzysta
| Filmy | |
|---|---|
| 1964 |
Lilith |
| 1963 |
The Cool World - sztuka teatralna |
| 1962 |
Billy Budd |
| 1961 |
Bilardzista |
| 1959 |
They Came to Cordura |
| 1956 |
Aleksander Wielki |
| 1954 |
Mambo |
| 1949 |
Gubernator |
| 1947 |
Desert Fury |
Johnny O'Clock |
|
| 1946 |
The Strange Love of Martha Ivers |
| 1945 |
Spacer w słońcu |
| 1943 |
Na progu ciemności |
| 1941 |
Blues in the Night |
Out of the Fog |
|
The Sea Wolf |
|
| 1939 |
A Child Is Born |
Burzliwe lata dwudzieste |
|
Dust Be My Destiny |
|
| 1938 |
Heart of the North |
Racket Busters |
|
| 1937 |
Marked Woman |
They Won't Forget |
|
Reżyser
| Filmy | |
|---|---|
| 1964 |
Lilith |
| 1961 |
Bilardzista |
| 1959 |
They Came to Cordura |
| 1957 |
Island in the Sun |
| 1956 |
Aleksander Wielki |
| 1954 |
Mambo |
| 1951 |
The Brave Bulls |
| 1949 |
Gubernator |
| 1947 |
Body and Soul |
Johnny O'Clock |
|
Producent
| Filmy | |
|---|---|
| 1964 |
Lilith |
| 1961 |
Bilardzista |
| 1956 |
Aleksander Wielki |
| 1951 |
The Brave Bulls |
| 1949 |
Gubernator |
The Undercover Man |
|