Gilmour93

The suite of sinister tones uses a few tools from the cult thrillers of Demme and Fincher (I even heard strings from Magic with Hopkins) and fundamentally focuses on the idea that the devil hides in the details and that a mother will protect her child even if she must become Faust (Osgood Perkins was inspired by his own mother, who served as a shield against the awareness of sexuality and the related relationships of his famous father). Statisticians can tally how many times the silhouette of the Horned One appears, and lovers of symbols can ponder whether we should think that Bill Clinton is in Satan's grasp. And producer Cage? He enjoys those few minutes in the style of the seven-style John Doe, even while waiting at the bus stop. "I know you're not afraid of a little dark. Because you are the dark."

Anders Thomas Jensen doesn’t cut into the living flesh; rather, he simply slices off some oddities from his own leg and marinates them in 100 ml of dark humor sauce, 2 teaspoons of psychopathy, and a sprig of forgiving their expressions. Unfortunately, the more of his films I see, the more bland they taste. Kudos to the makeup artists for transforming Mads Mikkelsen, who was as sweaty as a stable door, into William Fichtner.

It seems that the director, with the words "soft fish, sweetly tasty," ate the script at the beginning of the shoot, and then everything proceeded somewhat intuitively, knowing that the aggressive straightforwardness would save many elements in the unusually short runtime for the genre. The creators' reflections should lead to the conclusion that the "End of the Magical Misery Tour" has come, but it seems that the fish supplier will still try it on her own due to the earnings.