kaylin

This is a childhood passion that remains with me. I just love this movie. There are plenty of beautiful things about it, from fantastic special effects, great actors, humor, and the lovely Sigourney, all the way to that huge marshmallow that just knocks the air out of you and makes you laugh if you haven't seen the film yet. Even after all these years, it hasn't lost anything.

While I liked the film a lot on first viewing, I'm not so enthusiastic the second time around. In fact, it's a very drawn-out journey for revenge that is incredibly straightforward and offers nothing innovative, except that it's a musical. The actors are excellent, and with Depp, I felt like he was still acting back then and just didn't pretend.

This got to me. An extremely unremarkable film that looks unremarkable all the way through, yet has a great idea and great, detached execution, just like the film's detached hero. Great idea, which, although fitting into biblical proportions, doesn't really matter all that much. Henry Rollins is absolutely perfect here and the film is fun, bloody, and properly gritty.

This Night I'll Possess Your Corpse adds to the strength and shows that it's possible to go even further and be repulsive yet terrifying, all within a story that, while not particularly original, is well executed. Marins focuses on the visual aspect of the film, which serves him well. His fantasies are full of terror and horror and reach deep into the viewer's subconscious.

As a whole, it's definitely not great, but some of the action scenes are absolutely fantastic. Yes, Kellan Lutz surprisingly contributes to that. Still, the biggest highlight of this film is Gina Carano, who didn't get as much action space as she deserved. The woman is great, and I'm giving the film 50% just for her.

An excellent film. Truly. I didn't even realize I'd have so much fun with this, but it's a great blend of comedy, documentary, and rock, which I still love so much. The group is wonderfully put together, and you can tell that the script was tailor-made for them. Let's face it, if I knew nothing about the film, I'd be sure it's more than just a comedic group.

If Spielberg or someone similarly renowned directed it, it would be pretty bad for them, but for Ed Wood, this is quite good. He manages to keep the dramatic storyline quite lively and emotional. The final scene is actually very well done, and I liked its clear symbolism. It's not groundbreaking, but Ed didn't have only bad ideas.

I got what I expected. It's a pretty good horror comedy, spiced up with some well-done gore, which in some scenes is truly fantastic. But even better is the scene where one of the scouts is hanging out the window. You won't forget that. It’s a horror comedy that's relatively original and shows that there's still some life left in the zombie genre, with some interesting films to be found.

It’s one of Robert Rodriguez's early films and it isn't actually bad at all, but at the same time, it's not particularly exceptional. Just what you expect from Robert, but in a more intimate package. But you'll find the brutality, you'll find the cool characters, and here and there, you'll also find some good lines and well-executed scenes. The roller skating one is great.

I finally watched this much-praised film, and I can only say that it's praised entirely rightly. Hulce and Abraham created beautiful, vivid characters and presented the dramatic story in a way that will simply captivate you. The set design is magnificent, and even if you're not a fan of opera, seeing only fragments of it will still leave you thrilled, just as seeing how a relatively unknown actor back then managed to portray a genius. You'll believe in him the entire time.