EvilPhoEniX

The first half was very good, as I usually like heist movies a lot, but unfortunately the second half turned into a boring political negotiation game and I lost all interest in how it would all turn out. I liked the classically good Luis Tosar, but also unexpectedly few twists for Spaniards. I didn’t like this. 40%

A dark black-humor thriller with an excellent madman, Danny McBride, set during the 2009 housing crisis. Danny McBride goes to complain to a real estate agent about selling his apartment, but an accident and a murder occur at the same time, setting off a carousel of dead bodies where everyone dies by accident. It's both unexpectedly and enjoyably gory and nicely funny, and McBride is superb as the madman. As nice stuff to kill a dull evening the film serves well enough, it doesn't even try for more than that. 65%

A very enjoyable feel good retro drama about an introvert who befriends the biggest dude in school and they start dealing weed. The shy boy gradually becomes a different person who wants more money, starts dating the hottest chick in town and gains confidence, but it's a business where happiness blooms only for a short while. Great choice of actors, a solid Thomas Jane as the sheriff, cool jokes and allusions to other movies, a nice retro atmosphere and a fateful finale. Huge surprise. 80%.

It's a great pity that this rather unconventional and appealing premise is merely a drama, because there's something unpleasant hanging in the air the whole film and you hope that it will turn into a thriller at the end, but alas. I can't say I was bored, it was interesting to watch the escalating conflict between the two parents, but I couldn't root for anyone because the father was a bastard and the wife was a bitch and I was sorry the French didn't let go of their chains, the ending was just begging for a shocking finale. Good film but left me emotionally cold. 65%

Dennis Iliadis is a bum, Last House on the Left was probably his peak and he has been rather stagnant since. What was initially a rather interesting idea fizzles out into nothing after half an hour, and it’s followed by a bland vapidity that did absolutely nothing to interest me. Only Genesis Rodriguez attracts attention with her beauty, the rest I had to suffer through. 40%.

Paul Greengrass serves up a dense psychological drama about the July 22, 2011 terrorist attack in Norway that killed 77 people, and he perfectly captures the horror everyone there experienced. There was another attempt this year, from Norway, Utøya: July 22, but that one didn't work very well from my point of view, it's presented in an overly documentary and boring way, no one dies and they don't even show Breivik himself. Greengrass, in contrast, describes in detail how everything took place and literally draws the viewer into the film. The opening explosion and the subsequent merciless murder of the students on the island is excellent (here the director could have spent more time than 15 minutes, but emotionally and psychologically it affected me just the same). I also praise the performance of one of the survivors, Viljar, who survived five gunshot wounds and still has to live with lifelong consequences. The film culminates in a dense trial where emotions are not spared and the hatred towards Breivik is spot on. Solid stuff. 75%

For the first time without his brother, Timo Tjahjanto delivers another action gem that will definitely put a smile on your face, and as it works perfectly as a replacement for the cancelled The Raid 3. It's worth noting that Timo made his name with the horror film Macabre (still one of the most brutal exploitation films ever) so the primary fiddle is played by gore and violence, which is abundant here, and I really like his approach to the genre because he is one of the few to push the boundaries, show things that are taboo and shy away from absolutely nothing. That fascinates me because Americans can be quietly envious. Acting wise the film is top notch, it brings together a familiar cast, but it took me a little to get used to Iko Uwais being a villain, but thankfully Joe Taslim has charisma to spare, but surprisingly Julie Estelle shines the most, she immediately needs her own solo outing. The action hardly takes its foot off the gas it's one ultra brutal carnage where everyone is slashing with whatever is at hand, limbs are broken in all sorts of ways and multiple fighting styles are used. Tjahjanto revels in lethal destruction and I go crazy right along with him. The biggest highlight is definitely Julie Estelle versus two lesbians, and I don't think there has been a better female fight, and of course the finale, which takes the best of The Raid 2, and Joe Taslim versus Uwais as a battle of brothers was quite emotional, and of course the choreography can't be faulted. Not just to praise, there are of course some issues. I found the visuals rather average, at times I felt the characters were surviving the impossible and I was a little disappointed that there was no new action discovery. But these are irrelevant little things that didn't spoil the experience for me. Anyone who likes confident action, uncompromising and brutal films will be satisfied. Those who slept through Steven Seagal, Dolph Lundgren and Jean-Claude Van Damme will probably grumble. An action fan can't go below 3* here. I'm looking forward to May the Devil Take You and hope that in the years to come the Mo Brothers will continue to satisfy me, because there aren't that many smart filmmakers out there right now. 90%

David Gordon Green, director of the great comedies Pineapple Express and Your Highness, pays homage to and follows up the classic Halloween from 1978, and I don't think John Carpenter can be offended. While I should point out that the original Halloween is not one of my favourite films and more or less only became a cult thing because it was the first at the time and therefore shocking to people, due to the lack of blood and the few murders it doesn’t stand out with me as a slasher, but I'm exceedingly pleased with the 2018 version. Michael Myers rages more than ever and his work is definitely enjoyable to watch. Quite a few victims fall, blood is not spared and there are some very nice explicit scenes, but again, it's nothing the average viewer won't digest. The nostalgia is nicely buzzed by the original soundtrack and I really liked the new one, they complement each other perfectly. The atmosphere is great, especially the finale in the building is built up so that I couldn't breathe at times and the silence in the hall with the cinema packed was unbelievable. The acting is also very decent, led by Jamie Lee Curtis, who is quite physically fit for her old age and is quite good with guns. The role of the young black man is also great, as he lightens the dark atmosphere with humour for a few minutes. The downside for me was the slower pacing (before Michael escapes from the asylum it's a bit uninspiring), and also the absence of boobs, which were abundant in the original. All in all, I'm satisfied and definitely the best Halloween (sorry Rob Zombie and Carpenter) and of course another golden hit this year next to Hereditary and A Quiet Place. 80%

Dennis Iliadis, the director of The Last House on Left did a little home invasion/slasher and made it under the pseudonym Quinn Lasher, why I really have no idea. It's a fairly brisk genre flick that may not bring anything new to the table, but it certainly won't offend fans of the genre. A mother and her two daughters go to a cabin in the middle of nowhere, where a psychopath in a mask who definitely has no mercy for anyone is lurking. The film paces nicely, has a nice atmosphere, the suspense works and there are three solid gore scenes, so I'm not disappointed, just wish that the ambition had been higher. 60%

The surprise of the year and one of the best crime-media-social thrillers ever. The entire film takes place on a PC desktop, and sometimes with the help of a camera or mobile phone, which adds greatly to the authenticity and believability. It tells the story of a little girl who mysteriously disappears and her father tries to find out what happened to her. He learns information that he had absolutely no idea about his daughter and at times the film is really emotionally devastating. Praise must also go to the screenwriter who prepared a nice dose of brutal twists (all unexpected and shocking at the same time). But the biggest applause goes to the final denouement in the style of Saw, which left me almost breathless and I can't remember the last time I saw such an incredibly sophisticated, over-the-top, authentic thriller. Very gppd, incredibly gripping, engaging and uncompromisingly playing with the viewer. John Cho was very good. Bravo! 90%