boogieman

Videl som, nie je tu ( 5* ):  Arabic series 1-12 (Stan Brakhage) , Myth Labs(Martha Colburn),  The dowargers feast (Joan C. Gratz), Dowargers idyll (Joan C. Gratz), Khamaica (Khalik Allah), Palimpsest(Pia Borg); 

  

Videl som, nie je tu ( 4* ): Lies, lies, lies (Martha Colburn),  Snack and Drink (Bob Sabiston), Spare Change (Ryan Larkin), God on our side (Michal Pfeffer and Uri Kranot), Hockney On Photography & Other Matters (Paul Joyce) , DImension Bomb (from genius party beyond),  Araf (Andrew Telling), Rosa (Francisco Neffe), Lust (Jacques Demy), The Two Sights (Katherin Mcinnis, 2015), Primary (Dan Browne), Quando i corpi si toccano (Paolo Gioli), Homeostasis (ČR, 2017), Old Digs (Gunvor Nelson), Micro Empire (Clemens Wirth, 2012), What's left is wind (Leighton Pierce), Going Out (Ted Fendt), Hole (Nicky Hamlyn), Egyedül (Sándor Sára, 1963), Lo (2017) by Ted Wiggin, Awaiting Summer (Robert Todd, 2016), Marking time (Robert Todd, 2016), Fire Fly EYE (2020) by Kerry Laitala; Neon Cortex (2019) by Bruno Varela; Hel City (2019) by Gregorio Méndez;  International Face (2019) by Natalie Tsui; Interior (2019) by Zack Parrinella; 

 

Videl som, nie je tu ( 3* ): Answering Machine (Azazel Jacobs), A Message From Tar Creek (Niall O’Brien), Watts Waits (Drew Bachrach), Mad Ladders (Michael Robinson), Visca el Piano! (Pere Portabella), Luisa is not home (Celia Rico Clavellino), Nocturne (Mauro Santini), Drifts (Robert Todd), After Morning (Robert Todd), Tessitura Calda (Paolo Gioli, 2013), Whitchurch Down (Duration) (Malcolm Le Grice), Aspiraciones (Claudio Caldini), The Imprint (Tatiana Fuentes Sadowski), Souvenirs d'un montreur de seins (Bertrand Mandico),  Why can't we get along (Benjamin Millepied), What makes me take the train (Pierre Mazingarbe, 2013), And sometimes the boats are low (Leighton Pierce,1983), Exposures (Jon Behrens), Red Swing (Leighton Pierce). Thursday (Leighton Pierce), Caprice (Roi Cydulkin), Still Life (Mehdi Shiri), Trans/figure/ground (Lauren Cooke), Menagerie (2014) by Julian Gallese, Broken Specs (Ted Fendt), Travel Plans (Ted Fendt), Panni (Nicky Hamlyn), Summer stages (Robert Todd, 2016), Approaching Fall (Robert Todd, 2016), Camera Sick (2019) by Jeremy Moss; It Matters What (2019) by Francisca Duran; cada vuelta que da una cosa enrollada alrededor de otra (2019) by Bruno Varela; Tear Gas (2019) by Colectivo los ingrávidos; liminal poem (2019) by Susan DeLeo; Luminous Variations in the City Skies (2019) by Giuseppe Spina; Story of the Dreaming Water, Chapter One (2018) by Brittany Gravely; My Favorite Object (2019) by Meredith Moore; dream less (2020) by Charlotte Clermont; Einige Orte Dazwischen (A Few Spaces In Between) (2016) by Laura J. Padgett; Through a Field (2019) by Faith Arazi and Maddie Mori; Universal Leader (2020) by Orit Ben-Shitrit; Billy (2019) by Zachary Epcar; //\///\////\ (2019) by Phillip Andrew Lewis & Michael Robinson; As Long As There Is Breath (2020) by Emily Chao; Corriente (Stream) (2019) by Diana Sánchez Maciel; Feast (2019) by Mike Hoolboom, Polka Dot (Aleksandra Niemczyk), Masters of the Land  2021 Directed by Jan Locus, Memory 14 by Ahmed Bouanani (1971)

 

Videl som, nie je tu ( 2* ): He likes to chop down trees (Leighton Pierce, 1980), Longueurs d’ondes (2013) by Sabrina Ratté,  Pro-Agri (Nicky Hamlyn), Salt Water (Guy Sherwin), Time Flow (John Woodman), Baltojo Laiko Keleiviai (Rimvydas Leipus, 1992), Doppler Shifts (Robert Todd, 2016), noonwraith blues (2020) by Kamila Kuc; Demoiselle (2018) by Eeva Siivonen; Dusty Wave (2017) by Eeva Siivonen; Fragment (1986-88) by Laura J. Padgett; Angular Momentum (2019) by Michael Betancourt; Starry Starry (2017) by Youngzoo Im; Die Nacht (2017-2019) by Wenhua Shi; Sympathetic Bodies (2018) by Margaret Rorison; Traces (2020) by Carleen Maur; Apertures (a brighter darkness) (2019) by Karissa Hahn; Solitaire (2017) by Laura J. Padgett; Ghosts of our Fallen (2019) by Kit Young; tulips are my father’s favourite flower (2018) by Nisha Platzer; Itinerary of Surfaces (2020) by Carl Elsaesser; Bathers (2019) by Douglas Urbank; Fabricated in the Actual Arctic (After Nanook) (2018) by Matthew Lax; Rio Grande Sun (2020) by Courtney Fellion & Linda Scobie; Eviction, Demolition (2019) by Karissa Hahn; Amuletos (2019) by Colectivo los ingrávidos; *****Mas Paritaria Menos Yuta (2018) by Moira Lacowicz & Leonardo Zito; Girl is Presence (2020) by Lynne Sachs and Anne Lesley Selcer; We Carry With Us Our Mother (2019) by Olivia Ciummo, Villatalla (Jeannette Muñoz), Blue Distance (2021) by Devin Jie Allen, Rehearsal (2020) by Talena Sanders, you’re a plant whisperer and for me, it’s enough 2019 Directed by Charlotte Clermont, Julien Champagne, Lucina Annulata 2021 Directed by Charlotte Clermont, Displaced 2021 Directed by Bettina Hoffmann, XYZ dir. by Peter Bo Rappmund (2016)

 

Videl som, nie je tu ( 1* ):  Tomo (Bakary Diallo), The Equation (Mathie Hippeau), Echoes (Miloš Šejn, 1979), Sretanje (Vladimir Petek. 1963), Set in Motion (Jane Aaron), Sacred Geometry (2018) by Anna Cecilia Seaward, It Was Summer When (2019) by Gloria Chung, Plants Are Like People (2018) by Charlotte Clermont, The Tower (2019) by Silvestar Kolbas, Fantasy of Being in Exile (2019-2020) by Hua Xi Zi, The Losing Battle (2019) by Jean Sousa, Jeevithaye Mayawa / ජීවිතයේ මායාව / Imitation of Life (2020) by Rajee Samarasinghe, Eastern State (2019) by Talena Sanders, Oh My Homeland (2019) by Stephanie Barber, Violettina (Alice Rohrwacher)

 

Videl som, nie je tu ( odpad ): Global Industries (2018) by Phillip Andrew Lewis